by Farhad Khosrokhavar translated by Jean Marie Todd ‧ RELEASE DATE: Jan. 3, 2017
A timely, systematic breakdown of thee reasons for radicalization.
A French scholar delineates the attractions of violent extremism, specifically jihadi Islam.
In this concise translation from the French, Khosrokhavar (Director of Studies/School for Advanced Studies in the Social Sciences, Paris) moves from general notions of radicalization, which have historically involved pockets of marginalized and ghettoized minorities from the 11th-century Assassins to the Europeans terrorists in the “years of lead,” to the specific current ideological radicalism in the Muslim world. What has changed? The author emphasizes that this newest crop of radicals involves a phenomenon that is “more intense” than previous eras: larger in scope, more widespread, enduring over a longer period of time, and involving more random violence and a troubling “capacity to adapt to extreme situations through reorganization”—e.g., the adaptability of al-Qaida. Khosrokhavar finds that radicalization takes different paths in the Muslim world and in the European theater. In the former, the radicals tend to be young people from the middle classes who feel disenfranchised against corrupt and authoritative regimes and are bent on establishing “a transnational Islamic regime.” In the latter, young radicals emerge from the lower social strata in tough neighborhoods and are often children of immigrants, such as the young people of North African descent in France. The author looks at the small but growing numbers of women joining radical jihadism, often acting to avenge the death of a husband, brother, or father or acting out (in a severely repressed Muslim society) from an “antipatriarchal, even feminist dimension.” Living in France, Khosrokhavar is particularly attuned to the radicalization that occurs among the young immigrants living in the banlieues of Lyon and elsewhere, fraught by ghetto conditions and “intense dehumanization,” and he offers insight into the radicalization that occurs in prisons, when vulnerable criminals are converted by a charismatic “radicalizer.”
A timely, systematic breakdown of thee reasons for radicalization.Pub Date: Jan. 3, 2017
ISBN: 978-1-62097-268-7
Page Count: 176
Publisher: The New Press
Review Posted Online: Oct. 19, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
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by Howard Zinn with Ray Suarez
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by Howard Zinn
by Maya Angelou ‧ RELEASE DATE: Feb. 1, 1969
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.
Maya Angelou is a natural writer with an inordinate sense of life and she has written an exceptional autobiographical narrative which retrieves her first sixteen years from "the general darkness just beyond the great blinkers of childhood."
Her story is told in scenes, ineluctably moving scenes, from the time when she and her brother were sent by her fancy living parents to Stamps, Arkansas, and a grandmother who had the local Store. Displaced they were and "If growing up is painful for the Southern Black girl, being aware of her displacement is the rust on the razor that threatens the throat." But alternating with all the pain and terror (her rape at the age of eight when in St. Louis With her mother) and humiliation (a brief spell in the kitchen of a white woman who refused to remember her name) and fear (of a lynching—and the time they buried afflicted Uncle Willie under a blanket of vegetables) as well as all the unanswered and unanswerable questions, there are affirmative memories and moments: her charming brother Bailey; her own "unshakable God"; a revival meeting in a tent; her 8th grade graduation; and at the end, when she's sixteen, the birth of a baby. Times When as she says "It seemed that the peace of a day's ending was an assurance that the covenant God made with children, Negroes and the crippled was still in effect."
However charily one should apply the word, a beautiful book, an unconditionally involving memoir for our time or any time.Pub Date: Feb. 1, 1969
ISBN: 0375507892
Page Count: 235
Publisher: Random House
Review Posted Online: May 14, 2012
Kirkus Reviews Issue: Feb. 1, 1969
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by Maya Angelou
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by Maya Angelou
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by Maya Angelou and illustrated by Steve Johnson and Lou Fancher
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