by Farhad Khosrokhavar ‧ RELEASE DATE: Nov. 4, 2024
A dense overview of a movement with meaningful global implications.
An analysis of the latest wave of feminist protest in Iran.
In September 2022, Mahsa Amini was killed by officers of the Islamic Republic’s vice squad after being arrested in Tehran for wearing an ill-fitting veil. Her murder sparked a series of protests across Iran that lasted several months, fueled by social media and driven by Iranian youth, both male and female. While Iran has had its share of notable feminist activists following the Islamic Revolution and the implementation of the mandatory veil, Khosrokhavar contends that the “Mahsa Movement” established a new precedent for activism in the country, distinct in its embrace by youth whose growing secularization has cultivated a certain “joie de vivre” that lays a foundation for equality and cooperation between men and women. The author catalogs outrageous acts of violence against women, offers examples of increasing and broadening support and solidarity from popular icons and members of the diaspora, and tells of the defiant spirit among the youth in today’s Iran. But his chief preoccupation is with the dispositions of today’s Iranian youth, whose changing values and worldview swirl beneath their political activity and the Islamic Republic’s oppressive backlash. These youth belong to the “would-be middle class,” robbed of future prospects, economic mobility, and political freedom by autocracy and theocratic Shi’ism; they are calling for a full-blown alternative to the Islamic regime rather than posing arguments laced with theological justification and sensitivity. The text is well researched, but the author relies on repetitive insistence, rather than methodical organization, leaving the fullness of the Mahsa Movement’s singularity, promise, and forewarning rather unsharpened. Still, Khosrokhavar’s text clarifies the terms of the mounting pressure in the standoff between an increasingly desperate and ruthless Islamic Republic and its youthful citizens.
A dense overview of a movement with meaningful global implications.Pub Date: Nov. 4, 2024
ISBN: 9781509564491
Page Count: 260
Publisher: Polity
Review Posted Online: Sept. 14, 2024
Kirkus Reviews Issue: Oct. 15, 2024
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BOOK REVIEW
by Farhad Khosrokhavar translated by Jean Marie Todd
by Howard Zinn ‧ RELEASE DATE: Jan. 1, 1979
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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BOOK REVIEW
by Howard Zinn ; adapted by Rebecca Stefoff with by Ed Morales
BOOK REVIEW
by Howard Zinn with Ray Suarez
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by Howard Zinn
by Alok Vaid-Menon ‧ RELEASE DATE: June 2, 2020
A fierce, penetrating, and empowering call for change.
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Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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