A heartfelt celebration of the magic of ancestry.
Miriam suspects that Babajoon has a secret life.
Every summer, Miriam spends a week of “magical adventure” at Babajoon and Mamanjoon’s home. This year, after a picnic prepared by Mamanjoon, Babajoon takes Miriam out for a special treat. As Miriam’s grandfather is paying, Miriam notices a mysterious gold coin fall from his pocket. Then, as they eat their rocket pops, Babajoon begins singing a beautiful song to the birds. Miriam suddenly realizes…he must be a pirate! Miriam’s suspicion is seemingly confirmed when Babajoon takes Miriam to his friend’s store and speaks to him in a language that Miriam does not recognize. Concluding that they are speaking in a “pirate language,” Miriam becomes even more convinced that Babajoon has a hidden past. But when Miriam confronts Babajoon, the truth he tells the child about their Iranian ancestry feels just as special as the one that Miriam imagined. Miriam’s strong bond with Babajoon and earnest questions make for a lovable, relatable protagonist, while Ali’s art shimmers as the child’s vivid imagination comes to life. However, while the resolution of the protagonist’s confusion is charming, the idea that Miriam would not know Babajoon’s country of origin or at least recognize the sound of his mother tongue feels unlikely, especially given their closeness. Still, the story’s humor and heart manage to shine through this inconsistency. (This book was reviewed digitally.)
A heartfelt celebration of the magic of ancestry. (Picture book. 3-6)Pub Date: March 28, 2023
ISBN: 978-1-66590-188-8
Page Count: 40
Publisher: Simon & Schuster
Review Posted Online: Dec. 13, 2022
Kirkus Reviews Issue: Jan. 1, 2023
BOOK REVIEW
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
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