Revelatory and perceptive.
A portrait of a particularly venturesome performance artist.
In the latest of his “…Wasn’t Sorry” artist profiles, Gilberti assumes first person to explore early experiences and people who shaped Marina Abramović’s very personal approach, from her loving grandmother to an unconventional art teacher who threw paint onto a canvas and then set fire to it. The author/illustrator then describes how his subject went from painting flowers, dreams, and clouds to creating edgier artworks—for example, scrubbing a mountain of bones to express her response to the war in her native Yugoslavia and using her body to stand naked while facing her longtime collaborator Ulay in a gallery doorway so that visitors had to “squeeze between us” to enter. So matter-of-fact is the tone that the works all come off not as bids to be outrageous or sensational, but as natural reflections of a creative impulse; not only will young artists with unconventional visions of their own feel validated, but audiences of all sorts should come away with expanded perspectives on what art can be. In the minimalist but moving illustrations, pop-eyed figures with sticklike limbs, clad (when clothed) in solid black or, at times, red and white as the page beneath, stand or sit in stylized poses against unfilled backgrounds. Possibly the most effective image of all is a closing photo of the artist during her 2010 The Artist Is Present performance at New York’s Museum of Modern Art, locking eyes with an equally intense young child.
Revelatory and perceptive. (list of mentioned works, afterword) (Picture-book biography. 7-10)Pub Date: Oct. 15, 2024
ISBN: 9781838668822
Page Count: 56
Publisher: Phaidon
Review Posted Online: July 19, 2024
Kirkus Reviews Issue: Aug. 15, 2024
BOOK REVIEW
A pivotal moment in a child’s life, at once stirring and authentically personal.
Before growing up to become a major figure in the civil rights movement, a boy finds a role model.
Buffing up a childhood tale told by her renowned father, Young Shelton describes how young Andrew saw scary men marching in his New Orleans neighborhood (“It sounded like they were yelling ‘Hi, Hitler!’ ”). In response to his questions, his father took him to see a newsreel of Jesse Owens (“a runner who looked like me”) triumphing in the 1936 Olympics. “Racism is a sickness,” his father tells him. “We’ve got to help folks like that.” How? “Well, you can start by just being the best person you can be,” his father replies. “It’s what you do that counts.” In James’ hazy chalk pastels, Andrew joins racially diverse playmates (including a White child with an Irish accent proudly displaying the nickel he got from his aunt as a bribe to stop playing with “those Colored boys”) in tag and other games, playing catch with his dad, sitting in the midst of a cheering crowd in the local theater’s segregated balcony, and finally visualizing himself pelting down a track alongside his new hero—“head up, back straight, eyes focused,” as a thematically repeated line has it, on the finish line. An afterword by Young Shelton explains that she retold this story, told to her many times growing up, drawing from conversations with Young and from her own research; family photos are also included. (This book was reviewed digitally.)
A pivotal moment in a child’s life, at once stirring and authentically personal. (illustrator’s note) (Autobiographical picture book. 7-9)Pub Date: Aug. 2, 2022
ISBN: 978-0-545-55465-7
Page Count: 40
Publisher: Scholastic
Review Posted Online: July 26, 2022
Kirkus Reviews Issue: Aug. 15, 2022
Quick and slick, but ably makes its case.
The distinguished jurist stands tall as a role model.
Not literally tall, of course—not only was she actually tiny but, as with all the other bobbleheaded caricatures in the “Ordinary People Change the World” series, Ginsburg, sporting huge eyeglasses on an outsize head over black judicial robes even in childhood, remains a doll-like figure in all of Eliopoulos’ cartoon scenes. It’s in the frank acknowledgment of the sexism and antisemitism she resolutely overcame as she went from reading about “real female heroes” to becoming one—and also the clear statement of how she so brilliantly applied the principle of “tikkun olam” (“repairing the world”) in her career to the notion that women and men should have the same legal rights—that her stature comes clear. For all the brevity of his profile, Meltzer spares some attention for her private life, too (“This is Marty. He loved me, and he loved my brains. So I married him!”). Other judicial activists of the past and present, all identified and including the current crop of female Supreme Court justices, line up with a diversely hued and abled group of younger followers to pay tribute in final scenes. “Fight for the things you care about,” as a typically savvy final quote has it, “but do it in a way that will lead others to join you.”
Quick and slick, but ably makes its case. (timeline, photos, source list, further reading) (Picture-book biography. 7-9)Pub Date: Jan. 9, 2024
ISBN: 9780593533338
Page Count: 40
Publisher: Rocky Pond Books/Penguin
Review Posted Online: Oct. 7, 2023
Kirkus Reviews Issue: Nov. 1, 2023
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