A subtle, visually arresting introduction to ethnic relations.
In this retelling of a tale rooted in both Jewish and Arab traditions, two neighbors are friends despite perceived religious tensions of the community.
Yaffa and Fatima both own date groves right next door to each other. They share meals and talk and laugh. When Fatima sees Yaffa on the street, she waves and calls, “Salaam! Peace!” Yaffa waves back and calls, “Shalom! Peace!” The text becomes a list of differences between the two women. Yaffa prays in a synagogue. Fatima prays in a mosque. Fatima celebrates Eid. Yaffa celebrates Passover. Fatima is clad in a burgundy hijab, while Jaffa has a deep teal headscarf. Those two colors, set against a neutral backdrop, lightly accent the women’s everyday surroundings as well. The tones are carefully placed to distinguish the two women but are also included in ancillary details to begin to build a feeling of unity. Gilani-Williams never distinctly references any conflict—in fact, even the Israeli setting is not specifically mentioned, only to call it the “Land of Milk and Honey.” But readers can tell, because differences very much define the women’s relationship, that they are overcoming some sort of obstacle in being friends.
A subtle, visually arresting introduction to ethnic relations. (author’s note) (Picture book. 4-8)Pub Date: April 1, 2017
ISBN: 978-1-4677-8938-7
Page Count: 24
Publisher: Kar-Ben
Review Posted Online: Feb. 3, 2017
Kirkus Reviews Issue: Feb. 15, 2017
Noted storyteller Bruchac (Squanto’s Journey: The Story of the First Thanksgiving, p. 1498, etc.) teams up with his son, James (Native American Games and Stories, not reviewed) to present a pourquoi tale from the East Coast Native American tradition. Bear is undeniably big; he is also a braggart, given to walking through the forest and proclaiming his superiority to all within earshot: “I can do anything! Yes, I can!” When he hears this, little Brown Squirrel challenges Bear to tell the sun not to rise the next day. This Bear does, and when the sun does in fact rise despite his injunction not to, Brown Squirrel unwisely gloats: “Bear is foolish, the sun came up. Bear is silly, the sun came up.” Thanks to trickery, Brown Squirrel escapes with his life, but not before Bear claws the stripes into his back that cause him to change his name to Chipmunk. The Bruchacs translate the orality of the tale to written text beautifully, including dialogue that invites audience participation. Aruego and Dewey’s (Mouse in Love, p. 886, etc.) signature cartoon-like illustrations extend the humor of the text perfectly. One spread shows the faces of all the animals rejoicing in the yellow light of the newly risen sun—all except Bear, whose glower contrasts ominously with Brown Squirrel’s glee. Clever use of perspective emphasizes the difference in size between boastful Bear and his pint-sized trickster opponent. Authors’ notes precede the story, explaining the history of the tale and each teller’s relationship to it. A winner. (Picture book/folktale. 4-8)
Pub Date: March 1, 2001
ISBN: 0-8037-2404-7
Page Count: 32
Publisher: Dial Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 15, 2000
Girls will hear the answer to the titular question.
Teaching our daughters how to love themselves is the first step toward the next generation’s owning its power.
It’s heady stuff for a picture book, but it’s never too soon for a woman—even a little woman—to know her worth. Denhollander (the first of sex offender Larry Nassar’s abuse victims to speak out) presents a poetic discourse that resonates beyond its young intended audience. Her simple rhyming couplets speak to the power of image and the messages that shape how we become who we are. The eloquence comes not from the words or phrasing as much as the message as well as the passion. Denhollander, an attorney, a mother, and a former gymnast–turned-coach for a time, delivers stanzas infused with sweet sentimentality as well as fiery fierceness. New artist Huff provides lovely, expressive illustrations depicting girls of many racial presentations in various stages of self-discovery and acceptance. The figures are smiling and cartoonlike, with oversized, round heads and sturdy bodies—though none could be called fat, none exhibits twiglike proportions. Denhollander’s book is unapologetically Christian in approach, with more than one reference to “Him” or a creation by a greater power. With sincerity helping to mitigate occasionally artless text, this is a worthwhile message for young girls who, in an age of shrinking women’s rights, need all the encouragement possible to find their voices and love themselves.
Girls will hear the answer to the titular question. (author’s note) (Picture book. 4-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-4964-4168-3
Page Count: 32
Publisher: Tyndale House
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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