Expansive and ingeniously crafted—an unforgettable collection.
A collection of mordant and finely crafted stories in which characters lose their faith, fall headlong into romantic obsession, and challenge the strains of familial obligation.
Set in the Córdoba mountains of Argentina, the five stories comprising Falco’s English language debut are straightforward in plot and yet unfold with narrative richness and ambition, depicting a landscape that is as vivid and alive as the characters who inhabit it. The collection opens with “The Hares,” which follows a man—called only “the king of the hares”—who has abandoned the mores of civilization to live in the forest; there, he manages to barely subsist on hares and goods stolen from the townspeople until he is found by the wife he left behind. In “Silvi and Her Dark Night,” a young girl renounces Christianity to both her family and the local priest, though she quickly stumbles into a deep and impossible infatuation with a Latter-day Saint missionary who reminds her of a village boy whose slow death she had witnessed in the local hospital. The title story introduces Victor Bagiardelli, a fastidious architect who is hired to construct the ideal cemetery in a small town whose parsimonious denizens are aggressively against the idea. And in “Woodland Life,” an elderly man loses his home in the deep woods to a development company and attempts to marry off his middle-age daughter to any man who is willing to take both of them in. Sharp, natural, and often humorous dialogue is rendered expertly through translator Croft’s finely tuned ear to colloquial Argentinian Spanish, and places are described with a richness that evokes the protagonists’ psychological depths, recalling the stories of Juan Rulfo and Julio Cortázar. For instance, in the collection’s final story, “The River,” a widow contemplates her neighbor’s odd familial dynamics and memories of her late husband when she sees a woman running naked through her neighbor’s yard in the midst of a snowstorm.
Expansive and ingeniously crafted—an unforgettable collection.Pub Date: April 6, 2021
ISBN: 978-1-9162-7786-1
Page Count: 175
Publisher: Charco Press
Review Posted Online: Feb. 9, 2021
Kirkus Reviews Issue: March 1, 2021
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.
Many years after her older brother, Bear, went missing, Barbara Van Laar vanishes from the same sleepaway camp he did, leading to dark, bitter truths about her wealthy family.
One morning in 1975 at Camp Emerson—an Adirondacks summer camp owned by her family—it's discovered that 13-year-old Barbara isn't in her bed. A problem case whose unhappily married parents disdain her goth appearance and "stormy" temperament, Barbara is secretly known by one bunkmate to have slipped out every night after bedtime. But no one has a clue where's she permanently disappeared to, firing speculation that she was taken by a local serial killer known as Slitter. As Jacob Sluiter, he was convicted of 11 murders in the 1960s and recently broke out of prison. He's the one, people say, who should have been prosecuted for Bear's abduction, not a gardener who was framed. Leave it to the young and unproven assistant investigator, Judy Luptack, to press forward in uncovering the truth, unswayed by her bullying father and male colleagues who question whether women are "cut out for this work." An unsavory group portrait of the Van Laars emerges in which the children's father cruelly abuses their submissive mother, who is so traumatized by the loss of Bear—and the possible role she played in it—that she has no love left for her daughter. Picking up on the themes of families in search of themselves she explored in Long Bright River (2020), Moore draws sympathy to characters who have been subjected to spousal, parental, psychological, and physical abuse. As rich in background detail and secondary mysteries as it is, this ever-expansive, intricate, emotionally engaging novel never seems overplotted. Every piece falls skillfully into place and every character, major and minor, leaves an imprint.
"Don't go into the woods" takes on unsettling new meaning in Moore's blend of domestic drama and crime novel.Pub Date: July 2, 2024
ISBN: 9780593418918
Page Count: 496
Publisher: Riverhead
Review Posted Online: April 13, 2024
Kirkus Reviews Issue: May 15, 2024
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.
A falsely accused Black man goes into hiding in this masterful novella by Wright (1908-1960), finally published in full.
Written in 1941 and '42, between Wright’s classics Native Son and Black Boy, this short novel concerns Fred Daniels, a modest laborer who’s arrested by police officers and bullied into signing a false confession that he killed the residents of a house near where he was working. In a brief unsupervised moment, he escapes through a manhole and goes into hiding in a sewer. A series of allegorical, surrealistic set pieces ensues as Fred explores the nether reaches of a church, a real estate firm, and a jewelry store. Each stop is an opportunity for Wright to explore themes of hope, greed, and exploitation; the real estate firm, Wright notes, “collected hundreds of thousands of dollars in rent from poor colored folks.” But Fred’s deepening existential crisis and growing distance from society keep the scenes from feeling like potted commentaries. As he wallpapers his underground warren with cash, mocking and invalidating the currency, he registers a surrealistic but engrossing protest against divisive social norms. The novel, rejected by Wright’s publisher, has only appeared as a substantially truncated short story until now, without the opening setup and with a different ending. Wright's take on racial injustice seems to have unsettled his publisher: A note reveals that an editor found reading about Fred’s treatment by the police “unbearable.” That may explain why Wright, in an essay included here, says its focus on race is “rather muted,” emphasizing broader existential themes. Regardless, as an afterword by Wright’s grandson Malcolm attests, the story now serves as an allegory both of Wright (he moved to France, an “exile beyond the reach of Jim Crow and American bigotry”) and American life. Today, it resonates deeply as a story about race and the struggle to envision a different, better world.
A welcome literary resurrection that deserves a place alongside Wright’s best-known work.Pub Date: April 20, 2021
ISBN: 978-1-59853-676-8
Page Count: 240
Publisher: Library of America
Review Posted Online: March 16, 2021
Kirkus Reviews Issue: April 1, 2021
BOOK TO SCREEN
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
