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MARRY ME BY MIDNIGHT

From the Once Upon the East End series , Vol. 1

A masterful, original take on a beloved fairy tale is sure to please romance readers.

A gender-swapped “Cinderella” about an heiress and a custodian in 1832 London.

After her father’s untimely death, Isabella Lira must marry to secure her family’s business and standing. Her father sat on the London Commission of Delegates, an organization that works with the Crown for the safety and security of the entire Jewish community in England, while also co-owning a business with the powerful Berab brothers. The three brothers each offer to marry her, hoping to secure total control of the shared business. Isabella wants to preserve her own influence in the company, so she hatches a plan to find another suitor—one outside the sphere of the Berab family. She's going to throw three festivals in three weeks, between the holidays of Passover and Lag b’Omer, and she enlists the help of Aaron Ellenberg, an unlikely ally. Aaron exists in a strange liminal space in the community: He’s a kindhearted and gentle man who has never successfully found a job or home of his own. The community supports him by providing work as a custodian in the synagogue. He has become expert at observing everyone and everything while remaining invisible in the background. Isabella asks him to spy on prospective suitors at her parties to help her find one who won't try to control her—a man with a secret that Isabella could hold over him. In return, she offers Aaron 200 pounds, enough money for him to have a home and family, which had always seemed like an impossible dream. Isabella and Aaron should have nothing in common, but while working together they learn to respect and love each other despite their differences in status and the many obstacles in their way. It’s an engaging and sexy romance, almost old-school in its complexity, complete with genuine conflict, delicious tension, and dense, meaty subplots.

A masterful, original take on a beloved fairy tale is sure to please romance readers.

Pub Date: Aug. 8, 2023

ISBN: 9781538722541

Page Count: 400

Publisher: Forever

Review Posted Online: May 9, 2023

Kirkus Reviews Issue: June 1, 2023

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THE SCREWTAPE LETTERS

These letters from some important executive Down Below, to one of the junior devils here on earth, whose job is to corrupt mortals, are witty and written in a breezy style seldom found in religious literature. The author quotes Luther, who said: "The best way to drive out the devil, if he will not yield to texts of Scripture, is to jeer and flout him, for he cannot bear scorn." This the author does most successfully, for by presenting some of our modern and not-so-modern beliefs as emanating from the devil's headquarters, he succeeds in making his reader feel like an ass for ever having believed in such ideas. This kind of presentation gives the author a tremendous advantage over the reader, however, for the more timid reader may feel a sense of guilt after putting down this book. It is a clever book, and for the clever reader, rather than the too-earnest soul.

Pub Date: Jan. 1, 1942

ISBN: 0060652934

Page Count: 53

Publisher: Macmillan

Review Posted Online: Oct. 17, 2011

Kirkus Reviews Issue: June 15, 1943

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THIS MUCH IS TRUE

A solid Regency featuring a highwayman and the woman who steals his heart.

A lady playwright finds inspiration on the marriage market.

Miss Althea Hartley is in her third Season, but she’s not really looking for a man to marry this year—she’s far too preoccupied trying to find her muse. In her previous Season, the fellow playwright she thought she might marry not only broke her heart, but destroyed her confidence in her writing ability as well. Even though she’s looking for inspiration everywhere, she’s still surprised when her muse seems to take the form of Jasper Trueblood, Viscount St. James, a silent giant of a man. Jasper has his reasons for preferring to be seen rather than heard; to avoid the wrath of his cruel uncle, who controls his life, he pretends to be “an addlepated clod” in public, and knows how to disappear when needed. But Althea sees him for who he is, and, after she realizes he inspires her to write, wants to see more of him. As her creativity returns, she starts telling tales of a dashing highwayman, though she almost thinks twice about that after a real highwayman stops the carriage she’s riding in. But after she realizes that Jasper is in fact the highwayman—and for very good reasons, at that—the two of them are pulled closer, even though it appears that they’re star-crossed lovers who can’t have more than a few stolen nights together. The third volume in Lorret’s Liars’ Club series ushers another Hartley sister forward to take her turn in the spotlight, and fans of the theatrical clan will be happy to see them reappear throughout the story. And indeed, melodrama abounds, as do several heated encounters between Althea and Jasper. Lorret’s funny and clever writing shines throughout, with a particular highlight being the unique puppet-centered sex education provided for Althea by her mother. Unfortunately, the plot is fairly repetitive before an abrupt shift to an overly eventful conclusion, but Lorret’s fans will easily overlook that, thanks to Althea and Jasper’s intense chemistry and clear affection for each other.

A solid Regency featuring a highwayman and the woman who steals his heart.

Pub Date: July 1, 2025

ISBN: 9780063352506

Page Count: 384

Publisher: Avon/HarperCollins

Review Posted Online: April 19, 2025

Kirkus Reviews Issue: May 15, 2025

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