With humor, heart, and oodles of child appeal, this tale models a flawed but devoted parent’s mastery of love languages.
When a young girl seems unable to get her father’s attention, a simple question brings it back.
Dad chats with a friend at the supermarket, talks on the phone while cooking, and texts while the young protagonist dons pajamas. Feeling neglected, the child wonders what will happen if he runs out of words: “Will you have any left for me?” The father’s expression registers guilt and embarrassment. With unruly dark hair and a massive upper body ending in tiny feet, he’s a robust yet comical and affable character. He explains that if faced with a language deficit, he would visit the Elves’ Word Factory; upon seeing the containers of “small talk” and “dad jokes,” he’d select “infinity” to guarantee a steady supply. But what if he gets lost on his way back? The child asks a series of “what ifs” as she enacts various incredibly flexible poses on her bed, a stuffed rabbit mirroring her acrobatics—all set against uncluttered white pages. By contrast, detailed, mixed-media settings portray Dad’s increasingly outlandish scenarios of his journey home: He builds a rocket, rides a narwhal, and drinks a shrinking potion so he can fit on a mouse-led rescue boat. Ultimately, loving words and the dramatic reveal of the “infinity” bottle amaze and delight the daughter—and readers. The child is light-skinned; Dad is brown-skinned.
With humor, heart, and oodles of child appeal, this tale models a flawed but devoted parent’s mastery of love languages. (Picture book. 3-6)Pub Date: April 9, 2024
ISBN: 9781419766886
Page Count: 48
Publisher: Abrams
Review Posted Online: Jan. 20, 2024
Kirkus Reviews Issue: Feb. 15, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A tale of intergenerational bonding to be shared by grandparents and grandchildren.
In talk-show host Fallon and illustrator Ordóñez’s latest picture-book collaboration, an elderly pooch waxes rhapsodic about a life well lived.
Observing Papa sitting in his chair watching TV all day, a young pup says, “I’m starting to think…you don’t do ANYTHING.” So Papa proceeds to list his accomplishments, both big and small, mundane and profound. Some are just a result of being older and physically bigger (being tall enough to reach a high shelf and strong enough to open jars); others include winning a race and performing in a band when he was younger. Eventually, the pup realizes that while Papa may have slowed down in his old age, he’s led a full life. The most satisfying thing about Papa’s life now? Watching his grandchild take center stage: “I can say lots of thoughts / but I choose to be quiet. / I’d rather you discover things and then try it.” Fallon’s straightforward text is sweetly upbeat, though it occasionally lacks flow, forcing incongruous situations together to fit the rhyme scheme (“I cook and I mow, / and I once flew a plane. // I play newspaper puzzles because it’s good for my brain”). Featuring uncluttered, colorful backgrounds, Ordóñez’s child-friendly digital art at times takes on sepia tones, evoking the sense of looking back at old photos or memories. Though the creators tread familiar ground, the love between Papa and his little one is palpable.
A tale of intergenerational bonding to be shared by grandparents and grandchildren. (Picture book. 3-6)Pub Date: May 13, 2025
ISBN: 9781250393975
Page Count: 40
Publisher: Feiwel & Friends
Review Posted Online: May 3, 2025
Kirkus Reviews Issue: June 1, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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