The flair and wit of Torres’ writing does not allay the unpleasant aftertaste left by this unforgiving portrait of men at...
In this harsh first novel by a Brazilian actress, five elderly men reflect on their friendships with each other and their exhaustive love lives.
It gives nothing away to explain that all five—Álvaro, Sílvio, Ribeiro, Neto, Ciro—die; Torres structures her book around each man’s dying narration. Walking home for the last time, in 2014, 85-year-old Álvaro is bitter, misogynistic, and highly critical of his already dead friends. Glad to be done with sex, he recalls the unpleasant half-baked orgy Sílvio held before leaving Rio years earlier. Each man will remember this orgy in a tellingly different way that highlights his character. Lying helpless on a sidewalk at age 66 in 2009, banker Sílvio admits the orgy was a phony farewell. He never really left Rio, merely transferred to a different bank branch to avoid his friends. If Álvaro is a cold fish, Sílvio is a crude, selfish sensualist. Dumping his wife, he carries on an obsessive, tawdry affair with a young bisexual woman who happens to be Ribeiro’s girlfriend. After Sílvio’s death, from Parkinson’s combined with recreational drug use, his son runs an ad apologizing for Sílvio’s years of bad behavior and inviting others to celebrate his death. Ribeiro and Neto are outliers. Rebeiro, who suffers a heart attack after taking Viagra at age 83, is the group’s only bachelor but has always secretly loved Ciro’s wife, Ruth. Half black, Neto has lived under pressures his friends would never understand. A decent man, he dies in 1992, one year after his wife of over 30 years. Everyone admires handsome, intelligent, passionate Ciro, but he commits an unforgivable act of cruelty against Ruth. When Álvaro asks if the fast-growing cancer that strikes 50-year-old Ciro in 1990 is God’s punishment, Ciro implies that he hopes so. So will readers.
The flair and wit of Torres’ writing does not allay the unpleasant aftertaste left by this unforgiving portrait of men at their worst.Pub Date: July 11, 2017
ISBN: 978-1-63206-121-8
Page Count: 208
Publisher: Restless Books
Review Posted Online: April 17, 2017
Kirkus Reviews Issue: May 1, 2017
BOOK REVIEW
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.
Ten years after her teenage daughter went missing, a mother begins a new relationship only to discover she can't truly move on until she answers lingering questions about the past.
Laurel Mack’s life stopped in many ways the day her 15-year-old daughter, Ellie, left the house to study at the library and never returned. She drifted away from her other two children, Hanna and Jake, and eventually she and her husband, Paul, divorced. Ten years later, Ellie’s remains and her backpack are found, though the police are unable to determine the reasons for her disappearance and death. After Ellie’s funeral, Laurel begins a relationship with Floyd, a man she meets in a cafe. She's disarmed by Floyd’s charm, but when she meets his young daughter, Poppy, Laurel is startled by her resemblance to Ellie. As the novel progresses, Laurel becomes increasingly determined to learn what happened to Ellie, especially after discovering an odd connection between Poppy’s mother and her daughter even as her relationship with Floyd is becoming more serious. Jewell’s (I Found You, 2017, etc.) latest thriller moves at a brisk pace even as she plays with narrative structure: The book is split into three sections, including a first one which alternates chapters between the time of Ellie’s disappearance and the present and a second section that begins as Laurel and Floyd meet. Both of these sections primarily focus on Laurel. In the third section, Jewell alternates narrators and moments in time: The narrator switches to alternating first-person points of view (told by Poppy’s mother and Floyd) interspersed with third-person narration of Ellie’s experiences and Laurel’s discoveries in the present. All of these devices serve to build palpable tension, but the structure also contributes to how deeply disturbing the story becomes. At times, the characters and the emotional core of the events are almost obscured by such quick maneuvering through the weighty plot.
Dark and unsettling, this novel’s end arrives abruptly even as readers are still moving at a breakneck speed.Pub Date: April 24, 2018
ISBN: 978-1-5011-5464-5
Page Count: 368
Publisher: Atria
Review Posted Online: Feb. 5, 2018
Kirkus Reviews Issue: Feb. 15, 2018
A tour de force.
In 1974, a troubled Vietnam vet inherits a house from a fallen comrade and moves his family to Alaska.
After years as a prisoner of war, Ernt Allbright returned home to his wife, Cora, and daughter, Leni, a violent, difficult, restless man. The family moved so frequently that 13-year-old Leni went to five schools in four years. But when they move to Alaska, still very wild and sparsely populated, Ernt finds a landscape as raw as he is. As Leni soon realizes, “Everyone up here had two stories: the life before and the life now. If you wanted to pray to a weirdo god or live in a school bus or marry a goose, no one in Alaska was going to say crap to you.” There are many great things about this book—one of them is its constant stream of memorably formulated insights about Alaska. Another key example is delivered by Large Marge, a former prosecutor in Washington, D.C., who now runs the general store for the community of around 30 brave souls who live in Kaneq year-round. As she cautions the Allbrights, “Alaska herself can be Sleeping Beauty one minute and a bitch with a sawed-off shotgun the next. There’s a saying: Up here you can make one mistake. The second one will kill you.” Hannah’s (The Nightingale, 2015, etc.) follow-up to her series of blockbuster bestsellers will thrill her fans with its combination of Greek tragedy, Romeo and Juliet–like coming-of-age story, and domestic potboiler. She re-creates in magical detail the lives of Alaska's homesteaders in both of the state's seasons (they really only have two) and is just as specific and authentic in her depiction of the spiritual wounds of post-Vietnam America.
A tour de force.Pub Date: Feb. 6, 2018
ISBN: 978-0-312-57723-0
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Oct. 30, 2017
Kirkus Reviews Issue: Nov. 15, 2017
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