In a sequel to her earlier Bethlehem (2001), Greenaway Medalist French has created a powerful pictorial rendition of the Easter story. She uses only the language of the King James Bible, which is clear enough for even young children to follow. She illustrates the Word from Palm Sunday until the Ascension, basing her images on English stained-glass windows. These are very beautiful indeed, in their jewel colors and strong graphic outlines. Within that visual idiom, French has managed to make the faces expressive and the gestures unambiguous. She wields perspective like a sword, from the close-up pattern of faces and palm branches to the tumbling of the multitude of fishes, more than the disciples could gather. “And they crucified him” appears as a single sentence on one page swept with stained glass shards; opposite is the image of Christ on the cross, its hieratic solemnity unbroken. Excellent for Christian children and lucid enough for those interested in the beliefs of others. (Picture book/nonfiction. 4-8)
Pub Date: Feb. 1, 2002
ISBN: 0-06-623929-X
Page Count: 32
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2002
The true meaning of the holiday season shines here.
Kids teach a valuable lesson about community spirit.
A city block is ablaze with red and green lights for Christmas; one house glows blue and white for Hanukkah. This is where Isaac, a Jewish boy, lives, across the street from best friend Teresa, excitedly preparing for Christmas. They love lighting up their homes in holiday colors. After an antisemitic bigot smashes a window in Isaac’s house, Isaac relights the menorah the next night, knowing if his family doesn’t, it means hiding their Jewishness, which doesn’t “feel right.” Artistic Teresa supports Isaac by drawing a menorah, inscribed to her friend, and placing the picture in her window. What occurs subsequently is a remarkable demonstration of community solidarity for Isaac and his family from everyone, including the media. Galvanized into defiant action against hate, thousands of townspeople display menorahs in windows in residences and public buildings. This quiet, uplifting tale is inspired by an incident that occurred in Billings, Montana, in 1993. Readers will feel heartened at children’s power to influence others to stand up for justice and defeat vile prejudice. The colorful illustrations, rendered digitally with brushes of the artist’s devising, resemble scratch art. Isaac and Teresa are White, and there is some racial diversity among the townspeople; one child is depicted in a wheelchair. An author’s note provides information about the actual event.
The true meaning of the holiday season shines here. (Picture book. 5-8)Pub Date: Oct. 19, 2021
ISBN: 978-1-64614-087-9
Page Count: 32
Publisher: Levine Querido
Review Posted Online: July 29, 2021
Kirkus Reviews Issue: Sept. 1, 2021
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for...
Ten tales from the Old and New Testaments, with plot points and lessons hidden beneath large, shaped flaps.
Higgins depicts Jesus as a bit larger than those around him but otherwise draws him and the rest of the cast—including angels—with similar-looking round heads, wide-open eyes, slightly crooked beards (on the men), and dark brown or olive skin. Cycling arbitrarily among various tenses, the abbreviated, sanitized, and informally retold episodes begin in “a garden” with the tree, most of Adam and Eve, and the “tricky serpent” who “will trick them” initially hidden beneath die-cut flaps. Lifting the largest reveals the disobedient first couple sporting flashy animal-skin togs and text that promises that “God had a plan to save people from sin.” After Noah boards the “crowded, noisy, and stinky” ark, Moses leads the escape from plague-ridden Egypt (“Frogs and locusts! Yucky sores and flies!”), and “David bonks Goliath.” God’s promise eventually bears fruit with the birth and select miracles of Jesus. In the climactic scene, three distant crosses hide beneath a flap that depicts Jerusalem, while behind a tomb in the foreground an angel literally fizzes with fireworks. Beneath a bush readers see Mary (Magdalen) weeping until the risen Jesus (beneath another bush) gives her a hug: “Go tell the disciples that I am alive!”
Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for homiletic discussion. (Novelty/religion. 4-6)Pub Date: Sept. 4, 2018
ISBN: 978-1-5064-4684-4
Page Count: 16
Publisher: Beaming Books
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
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