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HIGHWAY THIRTEEN

Addictively engaging, profoundly serious fiction from an underappreciated master.

McFarlane contemplates the ripple effects of violent crime in 12 intricately layered stories based on an actual string of serial killings in 1990s Australia.

The diverse stories travel across decades and continents. The criminal investigation never becomes the central plot; the killer himself, here called Paul Biga, remains offstage while his victims appear only in fleeting mentions or glimpses. The protagonists’ connections to the crimes range from close to barely tangential. Timing matters, one story traveling back to 1950, when Biga’s future mother is 8 years old, another heading forward to a 2028 true-crime podcast. The opening story introduces the crimes’ physical reality, following a reluctant visitor to the forest where Biga’s victims had been found years earlier and where a sense of evil, and sexual, possibility still pervades. In 2003, an elderly woman’s lingering shame over her adolescent love for another girl resonates more powerfully than her more recent memories of Biga as her neighbor. Secret sexuality permeates characters’ lives, as does paranoia. Readers share a young woman’s growing fear in 1996 as she follows news reports that reveal a disquieting number of traits her boyfriend shares with an unidentified killer on the lam. Is it protective or paranoid maternal instinct pushing another woman to warn her younger sister against marrying a vaguely creepy boyfriend a decade earlier, in 1986? McFarlane uses the adventures of British schoolgirls in 1995 Rome to create misleading fear and tension before revealing a character who symbolizes resilience in the book. The travails of a politician unfortunately named Biga running for office four days after Paul Biga’s arrest offers discomforting comic relief. Given the large role media influence plays throughout, inevitably a television series about Biga shows up in 2024. So does Covid-19 in 2020, putting into perspective a single serial killer’s insignificance in a world reeling with global crises. However entertaining, McFarlane’s stories continually remind readers that behind true-crime stories’ escapist pleasure exist real death and human pain.

Addictively engaging, profoundly serious fiction from an underappreciated master.

Pub Date: Aug. 13, 2024

ISBN: 9780374606268

Page Count: 272

Publisher: Farrar, Straus and Giroux

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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TWICE

Have tissues ready as you read this. A small package will do.

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A love story about a life of second chances.

In Nassau, in the Bahamas, casino detective Vincent LaPorta grills Alfie Logan, who’d come up a winner three times in a row at the roulette table and walked away with $2 million. “How did you do it?” asks the detective. Alfie calmly denies cheating. You wired all the money to a Gianna Rule, LaPorta says. Why? To explain, Alfie produces a composition book with the words “For the Boss, to Be Read Upon My Death” written on the cover. Read this for answers, Alfie suggests, calling it a love story. His mother had passed along to him a strange trait: He can say “Twice!” and go back to a specific time and place to have a do-over. But it only works once for any particular moment, and then he must live with the new consequences. He can only do this for himself and can’t prevent anyone from dying. Alfie regularly uses his power—failing to impress a girl the first time, he finds out more about her, goes back in time, and presto! She likes him. The premise is of course not credible—LaPorta doesn’t buy it either—but it’s intriguing. Most people would probably love to go back and unsay something. The story’s focus is on Alfie’s love for Gianna and whether it’s requited, unrequited, or both. In any case, he’s obsessed with her. He’s a good man, though, an intelligent person with ordinary human failings and a solid moral compass. Albom writes in a warm, easy style that transports the reader to a world of second chances and what-ifs, where spirituality lies close to the surface but never intrudes on the story. Though a cynic will call it sappy, anyone who is sick to their core from the daily news will enjoy this escape from reality.

Have tissues ready as you read this. A small package will do.

Pub Date: Oct. 7, 2025

ISBN: 9780062406682

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: July 18, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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WRECK

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

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A woman faces a health crisis and obsesses over a local accident in this wonderful follow-up to Sandwich (2024).

Newman begins her latest with a quote from Nora Ephron: “Death is a sniper. It strikes people you love, people you like, people you know—it’s everywhere. You could be next. But then you turn out not to be. But then again, you could be.” It sets an appropriate tone for a story that is just as full of death and dread as it is laughter. Two years after the events of Sandwich, Rocky is back home in Western Massachusetts and happily surrounded by family—her daughter, Willa, lives with her and her husband, Nick, while applying to Ph.D. programs; her widowed father, Mort, has moved into the in-law apartment behind their house. When a young man who graduated from high school with Rocky’s son, Jamie, is hit by a train, Rocky finds herself spiraling as she thinks about how close the tragedy came to her own family. She’s also freaking out about a mysterious rash her dermatologist can’t explain. Both instances are tailor-made for internet research and stalking. As Rocky obsessively googles her symptoms and finds only bad news (“Here’s what’s true about the Internet: very infrequently do people log on with their good news. Gosh, they don’t write, I had this weird rash on my forearm? And it turned out to be completely nothing!”), she also compulsively checks the Facebook page of the accident victim’s mother. Newman excels at showing how sorrow and joy coexist in everyday life. She masterfully balances a modern exploration of grief with truly laugh-out-loud lines (one passage about the absurdity of collecting a stool sample and delivering it to the doctor stands out). As Rocky deals with the byzantine frustrations of the medical system, she also has to learn, once more, how to see her children, husband, father, and herself as fully flawed and lovable humans.

A heartbreaking, laugh-provoking, and absolutely Ephron-esque look at the beauty and fragility of everyday life.

Pub Date: Oct. 28, 2025

ISBN: 9780063453913

Page Count: 224

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2025

Kirkus Reviews Issue: Aug. 15, 2025

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