by Floella Benjamin & illustrated by Margaret Chamberlain ‧ RELEASE DATE: Nov. 1, 2011
Cheery, brightly colored, cartoon-style illustrations reiterate the text, which, while a touch didactic, laudably expands on...
Benjamin and Chamberlain’s picture book is squarely focused on family diversity as it tells the story of a biracial boy and his musical family in a companion to their earlier collaboration, My Two Grannies (2008).
Although Aston’s grandads are both musicians and live in his Lancashire hometown, his maternal Grandad Harry is white and from Lancashire too, while his paternal Grandad Roy is black and from Trinidad. The rather text-heavy story depicts Aston immersed in a bicultural mix of music. Both grandads encourage Aston to practice, and his love of music carries over to school. When the school’s Summer Fair is suddenly without a band, Aston asks his grandads if their respective brass and steel-drum bands might step in—even though his teacher tells him that there’s only time for one. When both respond positively, Aston worries: “How could he decide which band should play?” Ultimately, he suggests that the bands practice so that they can play together. The Summer Fair is a great success, with Aston getting up on stage to join in the music-making.
Cheery, brightly colored, cartoon-style illustrations reiterate the text, which, while a touch didactic, laudably expands on the typically monocultural depictions of families in picture books. (Picture book. 3-6)Pub Date: Nov. 1, 2011
ISBN: 978-1-84780-060-2
Page Count: 28
Publisher: Frances Lincoln
Review Posted Online: Sept. 27, 2011
Kirkus Reviews Issue: Oct. 15, 2011
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by Kevin Jonas & Danielle Jonas ; illustrated by Courtney Dawson ‧ RELEASE DATE: March 29, 2022
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
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by George Shannon ; illustrated by Blanca Gómez ‧ RELEASE DATE: May 26, 2015
A visually striking, engaging picture book that sends the message that everyone counts.
A playful counting book also acts as a celebration of family and human diversity.
Shannon’s text is delivered in spare, rhythmic, lilting verse that begins with one and counts up to 10 as it presents different groupings of things and people in individual families, always emphasizing the unitary nature of each combination. “One is six. One line of laundry. One butterfly’s legs. One family.” Gomez’s richly colored pictures clarify and expand on all that the text lists: For “six,” a picture showing six members of a multigenerational family of color includes a line of laundry with six items hanging from it outside of their windows, as well as the painting of a six-legged butterfly that a child in the family is creating. While text never directs the art to depict diverse individuals and family constellations, Gomez does just this in her illustrations. Interracial families are included, as are depictions of men with their arms around each other, and a Sikh man wearing a turban. This inclusive spirit supports the text’s culminating assertion that “One is one and everyone. One earth. One world. One family.”
A visually striking, engaging picture book that sends the message that everyone counts. (Picture book. 3-6)Pub Date: May 26, 2015
ISBN: 978-0-374-30003-6
Page Count: 32
Publisher: Frances Foster/Farrar, Straus & Giroux
Review Posted Online: Feb. 2, 2015
Kirkus Reviews Issue: Feb. 15, 2015
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