Next book

THE PHANTOM OF THOMAS HARDY

A sporadically insightful, intermittently entertaining blend of memoir, literary history, and fabulist speculation.

A man and his wife, Americans, go to England to visit sites associated with the writer Thomas Hardy; while there, the man sees Hardy in an apparition: “Something I missed,” the phantom whispers.

The man, like the author of this novel, is named Floyd. Like the author, too, the character Floyd has a wife, a grown daughter, and a cognitive deficiency—the result of a virus that targeted his brain a few decades earlier. In his new book, Skloot (Revertigo: An Off-Kilter Memoir, 2014, etc.) has tossed together a salad of fictionalized memoir, Hardy biography, and travelogue. Floyd takes off after the Hardy phantom. It turns out this isn’t Floyd’s first “Visitation” (his term); in the past, he’s been “Visited” by Freud, Bach, and Nabokov, among others. Somehow, though, this Visit is different, so Floyd sets up an impromptu investigation. What, exactly, is that “something” that Hardy missed? Something to do with his love life, surely. As Floyd and his wife, Beverly, visit Hardy’s home, birthplace, and other landmarks, they reflect on his tumultuous relationships, gossiping with local Hardy aficionados as they go. Gradually, the reason for Floyd’s ongoing Hardy obsession becomes clear: it turns out that he’s grieving the recent death of his mentor, a college professor who first turned him on to Hardy’s work and, at the same time, inspired Floyd to find his own voice as a writer. But there’s another facet to this search. As Skloot writes, “the chance to make sense of Hardy’s strangeness and struggle gave me a chance to make sense of my own. I was engaged in an ongoing process of learning to live as a brain-damaged man and resist neurological disintegration.” The unfortunate end result is at times sentimental, at other times tedious. The narrative is dragged down by the inclusion of not-entirely-crucial and ultimately uninteresting details: the photos Floyd and Beverly snap, the naps they take in the afternoons, and so on. The passages on Hardy’s life and work veer into blatant speculation, a shaky foundation that doesn’t support the conclusions Skloot draws.

A sporadically insightful, intermittently entertaining blend of memoir, literary history, and fabulist speculation.

Pub Date: Oct. 27, 2016

ISBN: 978-0-299-31040-0

Page Count: 184

Publisher: Univ. of Wisconsin

Review Posted Online: July 31, 2016

Kirkus Reviews Issue: Aug. 15, 2016

Categories:
Next book

THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 46


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview