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WHY ARE WE AFRAID?

A safe space to examine a powerful, often overwhelming feeling.

After the electricity cuts off during a thunderstorm, a pajama-clad father and son discuss fears by candlelight.

As this Spanish import opens, Max asks his dad if he has ever been afraid. Dad explains that fear is universal—and he acknowledges how quickly it can arise. Instantly the home is filled with black ovals of different sizes. As Dad describes various types of fears, Max vividly conjures up visuals. There is fear of the unknown, depicted as a maze of trees, and loneliness, paired with an image of a huddled Max looking at a group of partygoers. There are times when people are afraid “because the real monsters aren’t under the bed after all.” Planes drop black ovals over a city, causing smoke to billow. Pintadera, Sender, and Petricic explored the complexities of another emotion in Why Do We Cry? (2020); they are equally effective in developing a nuanced approach to this topic, even suggesting that “Often we’re afraid of freedom.” Max is not consumed by this conversation. When the streetlights come on, he wants to linger in semidarkness, because “It’s the perfect night for telling stories.” Scary ones. With its surreal imagery, the stylized, arresting artwork evokes fear yet also hope in the face of terror. Max and Dad are both brown-skinned. (This book was reviewed digitally.)

A safe space to examine a powerful, often overwhelming feeling. (Picture book. 4-8)

Pub Date: June 6, 2023

ISBN: 9781525311291

Page Count: 34

Publisher: Kids Can

Review Posted Online: March 13, 2023

Kirkus Reviews Issue: April 1, 2023

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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IMANI'S MOON

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child...

Imani endures the insults heaped upon her by the other village children, but she never gives up her dreams.

The Masai girl is tiny compared to the other children, but she is full of imagination and perseverance. Luckily, she has a mother who believes in her and tells her stories that will fuel that imagination. Mama tells her about the moon goddess, Olapa, who wins over the sun god. She tells Imani about Anansi, the trickster spider who vanquishes a larger snake. (Troublingly, the fact that Anansi is a West African figure, not of the Masai, goes unaddressed in both text and author’s note.) Inspired, the tiny girl tries to find new ways to achieve her dream: to touch the moon. One day, after crashing to the ground yet again when her leafy wings fail, she is ready to forget her hopes. That night, she witnesses the adumu, the special warriors’ jumping dance. Imani wakes the next morning, determined to jump to the moon. After jumping all day, she reaches the moon, meets Olapa and receives a special present from the goddess, a small moon rock. Now she becomes the storyteller when she relates her adventure to Mama. The watercolor-and-graphite illustrations have been enhanced digitally, and the night scenes of storytelling and fantasy with their glowing stars and moons have a more powerful impact than the daytime scenes, with their blander colors.

While the blend of folklore, fantasy and realism is certainly far-fetched, Imani, with her winning personality, is a child to be admired. (Picture book. 5-8)

Pub Date: Oct. 14, 2014

ISBN: 978-1-934133-57-6

Page Count: 32

Publisher: Mackinac Island Press

Review Posted Online: July 28, 2014

Kirkus Reviews Issue: Aug. 15, 2014

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