Brightening toward the end, frightening throughout, psychologically acute.
In a land where curses are real and binding, a young weaver discovers that teasing them apart is wrapped in unexpected consequences.
Hardinge has a rare gift for crafting strange and original worlds, and here she’s in top form as she chucks two teenagers into webs of deadly magic and conspiracy in Raddith, where curse eggs are illegal but readily available to be cast by anyone out of spite or hatred. The journey takes rude, ill-tempered Kellen, whose unique talent for unravelling affects not only curses, but any woven garment or item in his vicinity, and his constant (in every sense) companion Nettle, seemingly “meek and inoffensive if you didn’t know her,” from the populous capital of Mizzleport to swampy wilds haunted by terrifying creatures to eldritch Moonlit Market (where everything, including memories and daydreams, is vulnerable). The author gradually brings Kellen (and readers) to an understanding that curses are not always undeserved, that those who bestow them may be damaged but are not invariably evil, and that perhaps we all have the capability to control the hatred that fuels them. Along with weaving in frequent desperate straits and near brushes with disaster, she embroiders her tale with memorable lines; a romantic subplot involving a rider bonded to a demonic horse and, by the end, even more so to his loving husband; and a cast of characters who are memorably distinct. The cast presents White.
Brightening toward the end, frightening throughout, psychologically acute. (Fantasy. 12-18)Pub Date: Jan. 10, 2023
ISBN: 978-1-4197-5931-4
Page Count: 432
Publisher: Amulet/Abrams
Review Posted Online: Sept. 27, 2022
Kirkus Reviews Issue: Oct. 15, 2022
PERSPECTIVES
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging
Audrey Rose Wadsworth, 17, would rather perform autopsies in her uncle’s dark laboratory than find a suitable husband, as is the socially acceptable rite of passage for a young, white British lady in the late 1800s.
The story immediately brings Audrey into a fractious pairing with her uncle’s young assistant, Thomas Cresswell. The two engage in predictable rounds of “I’m smarter than you are” banter, while Audrey’s older brother, Nathaniel, taunts her for being a girl out of her place. Horrific murders of prostitutes whose identities point to associations with the Wadsworth estate prompt Audrey to start her own investigation, with Thomas as her sidekick. Audrey’s narration is both ponderous and polemical, as she sees her pursuit of her goals and this investigation as part of a crusade for women. She declares that the slain aren’t merely prostitutes but “daughters and wives and mothers,” but she’s also made it a point to deny any alignment with the profiled victims: “I am not going as a prostitute. I am simply blending in.” Audrey also expresses a narrow view of her desired gender role, asserting that “I was determined to be both pretty and fierce,” as if to say that physical beauty and liking “girly” things are integral to feminism. The graphic descriptions of mutilated women don’t do much to speed the pace.
Perhaps a more genuinely enlightened protagonist would have made this debut more engaging . (Historical thriller. 15-18)Pub Date: Sept. 20, 2016
ISBN: 978-0-316-27349-7
Page Count: 336
Publisher: Jimmy Patterson/Little, Brown
Review Posted Online: May 31, 2016
Kirkus Reviews Issue: June 15, 2016
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