TEN MILES PAST NORMAL

A quirky coming-of-age for girls ready to discover their cool aunt’s stash of vintage copies of Sassy. In her first months of high school, Janie Gorman is discovering the unfortunate, not at all subtle differences between offbeat and off-putting as the daughter of a rather dilettantish farming family. Sure, she sews her own up-cycled clothes, creating skirts “made out of an old pair of jeans and some killer fabric scraps,” and embraces milking the farm’s goats, Loretta Lynn, Tammy Wynette and Patsy Cline. But to catch the bus on time, Janie occasionally forgets to remove the hay from her hair or scrape the goat dung from her shoes, and it’s getting her noticed, in a feeling-forced-to-hide-in-the-library-during-lunch kind of way. Encouraged by the sweet, thoughtful and utterly misnamed Monster Monroe to “live large” and embrace her whole, idiosyncratic self, Janie and her best friend, straight-laced and super-academic Sarah, go all-in. They hurl themselves into a project highlighting local heroes of the Civil Rights Era, learn to play bass and accordion and outgrow a hopeless shared crush on hunky jerk Jeremy Fitch. That’s a lot of ground to cover, and the plot occasionally teeters under the weight of its many developments and down-home secondary characters, but Janie’s voice—anxious, funny and winning—holds it all together as she finds and takes her place at school and on the farm. (Fiction. 11-14)