The fates look kindly upon the mixture of longing, serendipity, and quick thinking that accompanies the Parks’ story of Yum Yung’s bagel desire. It came to Yum Yung out of the blue one day: His village in Korea might have many things—“There were waterfalls rushing into streams of darting fish. There were lilacs gently blossoming on every hillside”—but there were no New York bagels. To remedy this problem, Yum Yung ties a note to a pigeon’s leg and bids the bird haste to New York City with his request for a bagel. But the bird is ever-so-long in returning, and Yum Yung worries the bird has delivered it somewhere else. So he asks his neighbors—a farmer, a fisherman, a beekeeper—if they have seen it. No, they respond after learning what a bagel is. “It is round and it has a hole in the middle.” They are experts in their craft, but it is not a plow wheel, a life ring, or a circle of bees. When Yum Yung is paying a visit to the baker, the pigeon returns, not with a bagel, but with a note from Joe’s To-Go Bagels giving his secret recipe. The baker says she hasn’t the ingredients, but Yum Yung knows just where to get flour, sea salt, and honey. And voilà, Yum Yung has his bagel. Lin’s transporting artwork has a toned-down Eastern flavor that makes for a successful expression of the story’s trans-cultural happening, but it is the pursuit of passion—and the warm rewards that may follow on its wake—that makes this story special. (Picture book. 4-8)
Pub Date: Sept. 15, 2001
ISBN: 1-58430-033-7
Page Count: 32
Publisher: Lee & Low Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 2001
Only for dedicated fans of the series.
When a kid gets the part of the ninja master in the school play, it finally seems to be the right time to tackle the closet monster.
“I spot my monster right away. / He’s practicing his ROAR. / He almost scares me half to death, / but I won’t be scared anymore!” The monster is a large, fluffy poison-green beast with blue hands and feet and face and a fluffy blue-and-green–striped tail. The kid employs a “bag of tricks” to try to catch the monster: in it are a giant wind-up shark, two cans of silly string, and an elaborate cage-and-robot trap. This last works, but with an unexpected result: the monster looks sad. Turns out he was only scaring the boy to wake him up so they could be friends. The monster greets the boy in the usual monster way: he “rips a massive FART!!” that smells like strawberries and lime, and then they go to the monster’s house to meet his parents and play. The final two spreads show the duo getting ready for bed, which is a rather anticlimactic end to what has otherwise been a rambunctious tale. Elkerton’s bright illustrations have a TV-cartoon aesthetic, and his playful beast is never scary. The narrator is depicted with black eyes and hair and pale skin. Wallace’s limping verses are uninspired at best, and the scansion and meter are frequently off.
Only for dedicated fans of the series. (Picture book. 5-8)Pub Date: Sept. 1, 2017
ISBN: 978-1-4926-4894-9
Page Count: 40
Publisher: Sourcebooks Jabberwocky
Review Posted Online: July 14, 2017
Kirkus Reviews Issue: Aug. 1, 2017
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet, if oft-told, story.
A plush toy rabbit bonds with a boy and watches him grow into adulthood.
The boy receives the blue bunny for his birthday and immediately becomes attached to it. Unbeknownst to him, the ungendered bunny is sentient; it engages in dialogue with fellow toys, giving readers insight into its thoughts. The bunny's goal is to have grand adventures when the boy grows up and no longer needs its company. The boy spends many years playing imaginatively with the bunny, holding it close during both joyous and sorrowful times and taking it along on family trips. As a young man, he marries, starts a family, and hands over the beloved toy to his toddler-aged child in a crib. The bunny's epiphany—that he does not need to wait for great adventures since all his dreams have already come true in the boy's company—is explicitly stated in the lengthy text, which is in many ways similar to The Velveteen Rabbit (1922). The illustrations, which look hand-painted but were digitally created, are moderately sentimental with an impressionistic dreaminess (one illustration even includes a bunny-shaped cloud in the sky) and a warm glow throughout. The depiction of a teenage male openly displaying his emotions—hugging his beloved childhood toy for example—is refreshing. All human characters present as White expect for one of the boy’s friends who is Black.
A sweet, if oft-told, story. (Picture book. 4-8)Pub Date: Feb. 1, 2022
ISBN: 978-1-72825-448-7
Page Count: 40
Publisher: Sourcebooks Wonderland
Review Posted Online: Jan. 11, 2022
Kirkus Reviews Issue: Feb. 1, 2022
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