Loving thoughts, especially appropriate for bedtime.
Many books have similar titles and highlight the parent-child bond, but this gently flowing rhyme by Stickley elicits new warm, snuggly feelings.
Lush, boldly colored illustrations capture Mommy hedgehog and her son, Hedgie, as they amble through the fall woods. When Hedgie notes the turn of seasons, she explains: “ ‘Everything is changing,’ Mommy said. ‘It’s nature’s way. / But change makes nature lovelier with every passing day.’ ” Hedgie’s questions continue. “Mommy… / would you love me MORE…if I change?” Hedgie repeats his question as they encounter other mother-child pairs (squirrels, dragonflies, frogs, and rabbits), and, each time, Mommy explains that she could not love him more. At the end of the walk, Mommy and Hedgie return to their burrow and Hedgie asks the million-dollar question. “But, Mommy…will love always last forever, / even if I change just like the seasons or the weather?” She reassures him: “ALWAYS.” The final couplet ties the bow on it: “ ‘Always,’ whispered Hedgie / as he curled up in his bed. / ‘Imagine that,’ he murmured. ‘Just imagine,’ Mommy said.” All characters are simply and realistically drawn animals but with anthropomorphic facial expressions and body language. The cartoon landscape they dwell in is a benign one, round-lobed oak leaves, flowing water, and other organic shapes exuding comfort.
Loving thoughts, especially appropriate for bedtime. (Picture book. 3-5)Pub Date: Oct. 15, 2019
ISBN: 978-0-593-12400-0
Page Count: 32
Publisher: Random House
Review Posted Online: July 23, 2019
Kirkus Reviews Issue: Aug. 15, 2019
BOOK REVIEW
BOOK REVIEW
Plotless and pointless, the book clearly exists only because its celebrity author wrote it.
A succession of animal dads do their best to teach their young to say “Dada” in this picture-book vehicle for Fallon.
A grumpy bull says, “DADA!”; his calf moos back. A sad-looking ram insists, “DADA!”; his lamb baas back. A duck, a bee, a dog, a rabbit, a cat, a mouse, a donkey, a pig, a frog, a rooster, and a horse all fail similarly, spread by spread. A final two-spread sequence finds all of the animals arrayed across the pages, dads on the verso and children on the recto. All the text prior to this point has been either iterations of “Dada” or animal sounds in dialogue bubbles; here, narrative text states, “Now everybody get in line, let’s say it together one more time….” Upon the turn of the page, the animal dads gaze round-eyed as their young across the gutter all cry, “DADA!” (except the duckling, who says, “quack”). Ordóñez's illustrations have a bland, digital look, compositions hardly varying with the characters, although the pastel-colored backgrounds change. The punch line fails from a design standpoint, as the sudden, single-bubble chorus of “DADA” appears to be emanating from background features rather than the baby animals’ mouths (only some of which, on close inspection, appear to be open). It also fails to be funny.
Plotless and pointless, the book clearly exists only because its celebrity author wrote it. (Picture book. 3-5)Pub Date: June 9, 2015
ISBN: 978-1-250-00934-0
Page Count: 32
Publisher: Feiwel & Friends
Review Posted Online: April 14, 2015
Kirkus Reviews Issue: May 1, 2015
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A funny tale about stress and an ever upping ante, with a comforting end.
Something is preventing Owl from falling asleep.
Owl leans back against his white pillow and headboard. “Squeek!” says something underneath the bed. Owl’s never heard that sound before, so he fastens his pink bathrobe and answers the front door. Nobody. It must be the wind; back to bed. Bidding himself goodnight, he climbs into bed—and hears the noise again. Time after time, he pops out of bed seeking the squeaker. Is it in the cupboard? He empties the shelves. Under the floor? He pulls up his floorboards. As Owl’s actions ratchet up—he destroys the roof and smashes the walls, all in search of the squeak—so does his anxiety. Not until he hunkers down in bed under the night sky (his bed is now outdoors, because the house’s roof and walls are gone), frantically clutching his pillow, does he see what readers have seen all along: a small, gray mouse. In simple illustrations with black outlines, textured coloring, and foreshortened perspective, Pizzoli plays mischievously with mouse placement. Sometimes the mouse is behind Owl or just out of his sightline; other times, the mouse is on a solid, orange-colored page across the spread from Owl, which removes him from Owl’s scene in a rather postmodern manner. Is the mouse toying with Owl? Who knows?
A funny tale about stress and an ever upping ante, with a comforting end. (Picture book. 3-5)Pub Date: April 19, 2016
ISBN: 978-1-4847-1275-7
Page Count: 48
Publisher: Disney-Hyperion
Review Posted Online: Jan. 19, 2016
Kirkus Reviews Issue: Feb. 1, 2016
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