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NECKLACE OF KISSES

Lovely language and ambitious ideas aside, the novel’s emotional content is thin, and entirely too much relies on some very...

Author of the acclaimed Weetzie Bat series, YA novelist Block gives her YA heroine a mid-life crisis for the adult market—with mixed results.

Fifteen years ago, Block, the 2005 recipient of the American Library Association Margaret A. Edwards Award for lifetime achievement, brought to life Weetzie Bat, a punk-rock L.A. princess with an internal lightning rod for modern magic. With a devoted following, the novels are both heralded and attacked for their edgy content (in the first novel Weetzie conceives daughter Cherokee in a ménage à trois with best friends, and gay lovers, Dirk and Duck.) The question is whether her outcast characters and titillating scenarios will play to an adult crowd. Weetzie at 40 is now wondering if she’s too old for her Hello Kitty watch and orange pants. Her daughters Cherokee and Witch Baby are in college, her Secret Agent Lover Man has turned into just plain old Max (a Cassavetes-like director obsessed with the attacks of 9/11) and though she loves her vintage clothing boutique, Weetzie is wondering where all the magic and kisses have gone. Weetzie packs up her suitcase (the contents of which are listed, indeed much space is given to what Weetzie is wearing) and runs away to the pink hotel. There, Weetzie begins a surreal journey toward healing, or as the hotel’s hermaphroditic lounge singer Heaven/Haven suggests, growing up. She meets Isis, the blue-skinned woman at reception; Shelly, a former mermaid and now trophy wife longing for the sea; Esmeralda, the invisible maid; and the aptly named Pan, in room service. At each encounter, Weetzie gets the kisses she’s longing for, and then left behind in her mouth she finds a precious gem. She was initially drawn to the place as it was the setting of her high-school prom, and now Weetzie finds that Zane Starling, the date she was too afraid to kiss, has a gallery opening at the hotel. Maybe this one last kiss will make all the difference.

Lovely language and ambitious ideas aside, the novel’s emotional content is thin, and entirely too much relies on some very pretty window dressing.

Pub Date: Aug. 1, 2005

ISBN: 0-06-077751-6

Page Count: 240

Publisher: HarperCollins

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 2005

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ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

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MIDNIGHT BAYOU

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal...

A gumbo seasoned with ghosts, love, and murder on the bayou.

When 30-something Declan Fitzgerald of Boston, a successful lawyer and a member of a large and loving family, breaks off his engagement to very suitable Jessica, he knows he needs to change his life. Lawyering is not fun anymore, so, recalling Manet Hall, an old deserted plantation house he once visited with law school classmate and New Orleans native Remy, he buys the property and moves down south. Declan is also a gifted craftsman, a born decorator, and very, very rich. Soon, he meets beautiful Lena, who’s visiting her grandmother Odette, Declan’s friendly Cajun neighbor. Declan is as certain that Lena is destined to be his wife as he was that Manet Hall would become his home. But, surprise, Lena has a troubled past (like the house) and is determined to resist Declan’s courtship. While he suits Lena and works on the place, Declan experiences troubling dreams. It seems he’s actually reliving the novel’s parallel story, which took place in 1899. In that year, the maid, Abbey Manet (from whom Lena, coincidentally, is descended, and who married wealthy Lucian Manet), was raped and murdered by her brother-in-law Julian as she nursed her baby daughter. Her body was dumped into the bayou by her mother-in-law, who despised her. And grief-stricken husband Lucian, away at the time, being told that Abbey had run off, committed suicide. Now, in an unconvincing twist of gender and reincarnation, it’s Declan who hears a baby crying , experiences childbirth and rape as the reincarnation of Abbey, while Lena is Lucian. The two accept all this with equanimity, and, Manet Hall’s secrets revealed, it becomes the setting for predictable and much foreshadowed resolutions.

Agreeably credible lovers and a neat piece of home-restoration compensate some for the hokey hauntings on the bayou. Loyal fans will enjoy.

Pub Date: Oct. 1, 2001

ISBN: 0-399-14824-8

Page Count: 368

Publisher: Putnam

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 1, 2001

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