A dreamlike tale of bullying and coping that owes slightly too much to nostalgia to work
Does this failed prequel to the Phoenix Award–winning Weetzie Bat (1989) at least succeed as a standalone novel?
It's 1975, and 13-year-old Louise Bat is mourning the death of her parents' marriage. In a first-person voice that breaks any possibility of the magical realism that made the original Dangerous Angels series so powerful, Weetzie explores the scariness of her apartment complex. At school, she forms an outcasts club with anorexic Lily and (requisite for Block) gay best friend Bobby, having friends can protect her only so much from bathroom graffiti and gum in her hair. Worse, the mean girls of junior high have nothing on the scary witchlike inhabitants of unit 13: purple-eyed Hypatia Wiggins and her nasty, Jayne Mansfield–loving daughter Annabelle (any possible connection to Weetzie Bat's purple-eyed, Jayne Mansfield–wannabe witch, Vixanne Wigg, is left undeveloped). But perhaps Weetzie has a guardian angel at both home and school: Winter, Annabelle's brother. Is it Winter who's leaving her the notes that show her L.A. at its most sparkly, mysterious and flavorful? Inexplicably, Weetzie's story concludes by cutting off any possibility of magic in this realism.
A dreamlike tale of bullying and coping that owes slightly too much to nostalgia to work . (Fiction. 12-15)Pub Date: Jan. 24, 2012
ISBN: 978-0-06-156598-4
Page Count: 208
Publisher: HarperTeen
Review Posted Online: Oct. 11, 2011
Kirkus Reviews Issue: Nov. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A somewhat entertaining, fast-paced journey that fizzles at the end.
A teenager runs away to Seattle, hoping to locate her missing sister.
Fifteen-year-old Eleanor idolizes her older sister, Sam, despite their being complete opposites: Sam is outgoing and wild, while socially awkward Eleanor is known as Little Miss Perfect, always doing the right and safe thing. After Sam runs away from home, the only communication she has with Eleanor are three postcards sent from Seattle. Eleanor decides to trace her 18-year-old sister’s footsteps, leaving her messages and hopping on a bus to find her. But when Sam doesn’t meet her at the bus depot, Eleanor, who has no real plan, has to learn how to survive on her own while searching the city for her sister. While the close bond between the girls is well depicted through flashbacks, the reveal of an important secret ultimately feels anticlimactic. A major plot point relies too heavily on chance and coincidence to be fully believable. While the color scheme, cityscapes, and background illustrations are atmospheric, the manga-inspired drawing style comes across as dated and flat. The depiction of the fabricated stories Eleanor tells is intriguing, as are the themes of friendship, living in the moment, and maintaining hope; unfortunately, none are thematically strong enough to resonate. The emotional impact of Eleanor’s experiences is diluted by her at times humorous narration. Eleanor and the main cast read as White.
A somewhat entertaining, fast-paced journey that fizzles at the end. (Graphic novel. 12-15)Pub Date: April 26, 2022
ISBN: 978-0-316-50023-4
Page Count: 280
Publisher: Little, Brown
Review Posted Online: April 12, 2022
Kirkus Reviews Issue: May 1, 2022
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel.
A Holocaust tale with a thin “Hansel and Gretel” veneer from the author of The Devil’s Arithmetic (1988).
Chaim and Gittel, 14-year-old twins, live with their parents in the Lodz ghetto, forced from their comfortable country home by the Nazis. The siblings are close, sharing a sign-based twin language; Chaim stutters and communicates primarily with his sister. Though slowly starving, they make the best of things with their beloved parents, although it’s more difficult once they must share their tiny flat with an unpleasant interfaith couple and their Mischling (half-Jewish) children. When the family hears of their impending “wedding invitation”—the ghetto idiom for a forthcoming order for transport—they plan a dangerous escape. Their journey is difficult, and one by one, the adults vanish. Ultimately the children end up in a fictional child labor camp, making ammunition for the German war effort. Their story effectively evokes the dehumanizing nature of unremitting silence. Nevertheless, the dense, distancing narrative (told in a third-person contemporaneous narration focused through Chaim with interspersed snippets from Gittel’s several-decades-later perspective) has several consistency problems, mostly regarding the relative religiosity of this nominally secular family. One theme seems to be frustration with those who didn’t fight back against overwhelming odds, which makes for a confusing judgment on the suffering child protagonists.
Stands out neither as a folk-tale retelling, a coming-of-age story, nor a Holocaust novel. (author’s note) (Historical fiction. 12-14)Pub Date: March 6, 2018
ISBN: 978-0-399-25778-0
Page Count: 432
Publisher: Philomel
Review Posted Online: Dec. 20, 2017
Kirkus Reviews Issue: Jan. 15, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
© Copyright 2024 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
