A disturbing foray into a contemporary America where protection and safety have become labels for repression and murder. In the wake of a killing spree at a school 50 miles away, rules begin to change at Central High. Supposed grief counselor Dr. Willner replaces the old principal, and immediately backpacks are searched, books banned, and clothing regulated. The color red is strictly forbidden (because the killers at the other school wore it), and when one girl refuses to remove the red ribbon she wears in memory of her deceased brother, she is sent away from school—and never returns. Other students and one teacher also disappear as Dr. Willner becomes ever more sinister. “Bus TV,” broadcast during the ride to school, shows revisionist history. Parents neglect to protest even their own children’s disappearances, seemingly because they have been brainwashed by incessant e-mails from the school administration. Across the country, detention camps have been set up where entire groups of teenagers are sent and possibly murdered. Ongoing references to Stalinist Russia and to the movie Invasion of the Body Snatchers supply metaphors for the unrecognizably evil and passive adults. The end offers no hint of what will happen next as the remaining main characters flee the town in fear for their lives. Because the narrative is kept faithfully inside the protagonist’s mind, readers are skillfully left just as unsettled, frightened, and confused as he is himself, about both the future and the nature of what exactly is going on. Could have been even scarier if the administrative power had snowballed rather than possessing total control from the beginning, but still an unsettling piece for modern times. (Fiction. YA)
Pub Date: April 1, 2003
ISBN: 0-06-008081-7
Page Count: 336
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: March 15, 2003
Raw, delicate, and deeply caring.
When Death-Cast doesn’t call, fate intertwines the lives of two boys, both haunted by their pasts and with futures they can’t escape.
In this third installment of the series that opened with 2017’s They Both Die at the End, Paz Dario waits every night for Death-Cast to call—as it should have for his father nearly 10 years ago, when Paz shot him to save his mother’s life. But the call never comes. Death-Cast killed Paz’s dreams of an acting career: No one will hire him now because the world sees him as a villain. When Paz tries (not for the first time) to put an end to his suffering, an unexpected encounter with Alano Rosa, the heir of Death-Cast, stops him. Both in a place of desperation, Alano and Paz sign a contract to live for Begin Days instead of waiting for their End Days. As suspenseful and emotionally wrenching as the previous titles in the series, this new installment explores heavy themes of abuse, mental health, self-harm, and suicide. Paz grapples with a recent diagnosis of borderline personality disorder. Silvera surrounds Alano and Paz with a web of complex relationships. Although the protagonists fall fast for one another and form a deep connection over Alano’s desire to support Paz, Silvera emphasizes the importance of professional help. Both Alano and Paz have Puerto Rican heritage. The cliffhanger ending promises more to come.
Raw, delicate, and deeply caring. (content warning, resources) (Speculative fiction. 14-18)Pub Date: May 6, 2025
ISBN: 9780063240858
Page Count: 720
Publisher: Quill Tree Books/HarperCollins
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
An ode to the children of migrants who have been taken away.
A Mexican American boy takes on heavy responsibilities when his family is torn apart.
Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.
An ode to the children of migrants who have been taken away. (Fiction. 14-18)Pub Date: May 4, 2021
ISBN: 978-0-7595-5605-8
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Feb. 22, 2021
Kirkus Reviews Issue: March 15, 2021
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