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GUIDED TOURS OF HELL and THREE PIGS IN FIVE DAYS

NOVELLAS

Two startling novellas offering meticulous explorations of the power of self-delusion, and featuring some none-too-innocent Americans abroad in the confusing precincts of contemporary Europe. Prose, the author of nine novels (Hunters and Gatherers, 1995, etc.), has always been fascinated by the tangled origins of human behavior. ``Guided Tours of Hell'' follows the hallucinatory misadventures of Landau, a second-rate American playwright attending a conference on Franz Kafka in Prague. He's quickly overshadowed by the riveting figure of Jiri Krakauer, a writer who, as an adolescent, was sent to a concentration camp where, he claims, he became the lover of Ottala Kafka, Franz's sister. The larger-than-life Jiri leads the conferees on a journey to the camp, and in that grim setting he and Landau become locked in an increasingly ugly competition for attention. Landau casts doubt on Jiri's Holocaust memories, and Jiri is volubly sarcastic about Landau's insecurity, his yearning to exchange his crabbed life for one as oversized (and filled with horror) as Jiri's. Prose offers some highly original observations on the deforming power of envy and the dangerously uncertain nature of memory, as well as a compelling meditation on contemporary attitudes toward the Holocaust. ``Three Pigs in Five Days'' follows the frantic efforts of Nina, a young journalist sent to Paris in midwinter by her editor at a travel journal (an older man who is also her lover), to come to terms with her obsessive love for him. Some of the scenes, including Nina's tour of the erotically charged Rodin museum, and a journey through the city's catacombs, are perfectly rendered. But Nina's passivity, her unwillingness to jettison her manipulative lover (who shows up at her hotel), becomes more irritating than compelling, while the end seems rushed and unpersuasive. ``Three Pigs'' is nonetheless vivid and disturbing, and ``Guided Tours of Hell''— exact, unsparing—is a superb, powerful work. (Author tour)

Pub Date: Jan. 13, 1997

ISBN: 0-8050-4861-8

Page Count: 256

Publisher: Henry Holt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1996

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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