An engrossing and humane novel.
Prose meets power in a tale of Machiavelli and Borgia.
In 1502, the Republic of Florence is surrounded by enemies, particularly Cesare Borgia, who is the Duke of Valentinois and Romagna and son of the Pope. The Republic sends Niccolò Machiavelli as both envoy and spy to find out what Borgia, nicknamed Valentino, is up to. This is a most dangerous business, as rumors abound regarding the duke’s cruelty. He denies to Machiavelli that he had his own brother killed, for example, but doesn’t mind at all that people think so, as long as they fear him. “Fear is stronger than all cannons,” he says. And he even has his own private executioner. Valentino recognizes Machiavelli’s talent as a writer and proposes that the envoy write his story: “I will tell you all my secrets, and you will give them shape with words,” making sure to include “details, observations, insinuations, and malice.” Meanwhile, the duke has imprisoned and sexually abuses Dianora Mambelli, whose “beauty is her condemnation.” Machiavelli secretly meets with her and learns that she wants her captor dead. But if their growing friendship becomes more than platonic and Cesare finds out, their lives are imperiled. The novel paints Machiavelli in a sympathetic light: Yes, he is a skilled writer who puts the duke’s deeds into fine prose, exaggerations and all. But he is in a difficult position where he could be killed at any time. Late in the story, Cesare expresses satisfaction: “Now that I know you can write it the way that I want, I will let you live.” The eventual product of this whole messy business comes after the deaths of the main characters, and it lives on today as The Prince, as cynical a book about gaining and keeping raw power as any that exist. Although Machiavellian refers to scheming for power, the poor guy was only the messenger who was disgusted by his boss and at his mercy. There are quite a few brief passages in Italian, mainly snippets of poetry, with translations in the endnotes. Luckily, they aren’t critical to the story’s flow. Se leggi l’italiano è perfetto. But if you don’t read Italian, you won’t lose the thread by skipping over them and checking them out later.
An engrossing and humane novel.Pub Date: June 11, 2024
ISBN: 9798889660149
Page Count: 384
Publisher: Europa Editions
Review Posted Online: April 5, 2024
Kirkus Reviews Issue: May 1, 2024
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
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