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LIKE A WINDY DAY

Using just a few words per page, this father-and-son team creates an autumnal ode in which a girl imagines herself one with the wind. “I want to play like a windy day,” reads the opening; a framed panel shows the child gazing at the breeze above. “I want to zoom down hillsides.” With flowing hair and arms outstretched to touch a floating leaf, the wind looks just like her. Throughout, mural-like panels appear on double-page spreads; as the girl and her wind twin travel from city to countryside to seashore and back the leaf remains just out of reach. As in their first collaboration, Baby Duck’s New Friend (2001) the Asch duo’s pen-and-ink illustrations are digitally enhanced allowing for a softening of lines and a diaphanous overlay of color. In the first spread, for example, undulating layers of lavender, robin’s egg, and cornflower blue create a colorful horizon against which the ghostlike wind glides. As the girl takes flight (“I want to scatter seeds”), the dandelion she’s holding loosens its delicate spores that flow like tiny white birds above the verdant glade. The dreamlike imagery enchants and the simple text is sure to inspire interpretive movement from the preschool set. A good bet for sharing on a blustery day. (Picture book. 3-7)

Pub Date: Oct. 1, 2002

ISBN: 0-15-216376-X

Page Count: 32

Publisher: Gulliver/Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Sept. 15, 2002

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IZZY GIZMO AND THE INVENTION CONVENTION

From the Izzy Gizmo series

A disappointing follow-up.

Inventor Izzy Gizmo is back in this sequel to her eponymous debut (2017).

While busily inventing one day, Izzy receives an invitation from the Genius Guild to their annual convention. Though Izzy’s “inventions…don’t always work,” Grandpa (apparently her sole caregiver) encourages her to go. The next day they undertake a long journey “over fields, hills, and waves” and “mile after mile” to isolated Technoff Isle. There, Izzy finds she must compete against four other kids to create the most impressive machine. The colorful, detail-rich illustrations chronicle how poor Izzy is thwarted at every turn by Abi von Lavish, a Veruca Salt–esque character who takes all the supplies for herself. But when Abi abandons her project, Izzy salvages the pieces and decides to take Grandpa’s advice to create a machine that “can really be put to good use.” A frustrated Izzy’s impatience with a friend almost foils her chance at the prize, but all’s well that ends well. There’s much to like: Brown-skinned inventor girl Izzy is an appealing character, it’s great to see a nurturing brown-skinned male caregiver, the idea of an “Invention Convention” is fun, and a sustainable-energy invention is laudable. However, these elements don’t make up for rhymes that often feel forced and a lackluster story.

A disappointing follow-up. (Picture book. 3-6)

Pub Date: March 1, 2020

ISBN: 978-1-68263-164-5

Page Count: 32

Publisher: Peachtree

Review Posted Online: Jan. 11, 2020

Kirkus Reviews Issue: Feb. 1, 2020

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GOODBYE SUMMER, HELLO AUTUMN

A visual success conjuring up the best about the seasons’ changes.

As a child walks through woods and town, summer turns to fall, and the natural world is met with a friendly hello.

A slim, brown child with a black-haired bob and hipster clothes stands on a stoop, ready to greet the late summer morning. On this picturesque journey through the seasons, the protagonist’s cordial salutation—whether made to blue jays and beavers or to the thunder and wind—is always the same: “Hello, [object].” And all amiably respond, providing tidbits of information about themselves. Unfortunately, their chatty replies miss the rhythm and easy conversational style that would make this shine as a read-aloud. It’s a shame, since the artist’s lush, evocative digital illustrations so perfectly capture the changing seasons in both the countryside and the town’s streets. To further accentuate the subject matter, Pak makes every spread a panorama, allowing readers to see and feel the various environments and habitats. Working in the tradition of such artists as Richard Scarry and Mary Blair, he takes a graphic approach, illustrating a world with simplified characters and shapes, layers of textures, and bold colors. Repeat visits will reveal new stories, such as the child’s collection and distribution of a carefully crafted bouquet to other people, whose diversity refreshingly reflects a range of skin tones, hairstyles, body types, and interests.

A visual success conjuring up the best about the seasons’ changes. (Picture book. 3-7)

Pub Date: Aug. 16, 2016

ISBN: 978-1-62779-415-2

Page Count: 32

Publisher: Henry Holt

Review Posted Online: May 31, 2016

Kirkus Reviews Issue: June 15, 2016

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