by Frank McCourt ‧ RELEASE DATE: Nov. 15, 2005
The teaching profession’s loss is the reading public’s gain, entirely.
McCourt’s latest memoir focuses on what ’Tis (1999) gave short shrift to: his life as a teacher.
The same dark humor, lyric voice and gift for dialogue are apparent here as McCourt tells the tale of a 30-year career teaching English in New York City high schools. He begins with his scary first day facing a roomful of 16-year-olds at McKee Vocational and Technical High School on Staten Island, where his job was to teach five English classes per day to teenagers preparing for futures as plumbers, carpenters and auto mechanics. The year was 1958 and McCourt was 27, just out of New York University. One doesn’t have to be a teacher to relish his account of how reading the students’ obviously self-authored absence excuses inspired him to create a composition assignment they couldn’t resist: write a note of excuse from Adam to God. After eight years of stifling bureaucracy at McKee, McCourt taught briefly at New York Community College in Brooklyn, Fashion Industries High School and Seward Park on the Lower East Side. At 38, he left for a doctoral program at Dublin’s Trinity College, returning two years later without a degree. (That misadventure could fill another book.) After drifting as a substitute teacher for a year, he landed a job at prestigious Stuyvesant High School, where thousands of the city’s top students compete for a few hundred spots. McCourt’s self-deprecating tone diminishes in this section, for now this innovative teacher is given free rein, and it is clear that he’s having a grand time. He recalls an unforgettable vocabulary lesson involving a picnic in the park with ethnic foods brought by students in his creative-writing class, and a recipe-as-poetry class in which students read recipes aloud to the accompaniment of assorted musical instruments.
The teaching profession’s loss is the reading public’s gain, entirely.Pub Date: Nov. 15, 2005
ISBN: 0-7432-4377-3
Page Count: 352
Publisher: Scribner
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 15, 2005
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by Frank McCourt ; illustrated by Raúl Colón
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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