There are plenty of reasons to pass on this one
A bee rejects busyness for meditation.
Oppressed by the hustle and bustle of the hive, Bentley yearns for quiet. One day he sits down on a daffodil and begins to meditate. This unusual practice draws other bees as well as the birds and animals that frequent the garden, and when Bentley becomes aware of them, he explains his unusual behavior: “Sometimes I have too many thoughts in my head. / Meditation can help me stay focused instead.” Soon he’s got the other animals meditating, encouraging them to “focus on your breathing” instead of stray thoughts. This changes the culture of the garden: “Now, before the animals burrow, build, or pollinate, / they gather in the garden to sit and meditate.” Two-plus pages of dense text close the book, offering tips to caregivers to help their children with mindfulness and meditation. While the selection of a bee as guide is artfully counterintuitive, it also opens the book up to some common pitfalls. Readers who know anything about bees will probably know that male bees aren’t particularly busy, so the choice of a drone as rebel is inaccurate. Moreover, the “hive” depicted in Keay’s bland, pastel cartoons is not a hive but a wasps’ nest—a common mistake. Leaving biology aside, the rhyming couplets are painfully forced.
There are plenty of reasons to pass on this one . (Picture book. 3-7)Pub Date: Aug. 13, 2018
ISBN: 978-1-4338-2870-6
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: June 24, 2018
Kirkus Reviews Issue: July 15, 2018
BOOK REVIEW
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
Hee haw.
The print version of a knee-slapping cumulative ditty.
In the song, Smith meets a donkey on the road. It is three-legged, and so a “wonky donkey” that, on further examination, has but one eye and so is a “winky wonky donkey” with a taste for country music and therefore a “honky-tonky winky wonky donkey,” and so on to a final characterization as a “spunky hanky-panky cranky stinky-dinky lanky honky-tonky winky wonky donkey.” A free musical recording (of this version, anyway—the author’s website hints at an adults-only version of the song) is available from the publisher and elsewhere online. Even though the book has no included soundtrack, the sly, high-spirited, eye patch–sporting donkey that grins, winks, farts, and clumps its way through the song on a prosthetic metal hoof in Cowley’s informal watercolors supplies comical visual flourishes for the silly wordplay. Look for ready guffaws from young audiences, whether read or sung, though those attuned to disability stereotypes may find themselves wincing instead or as well.
Hee haw. (Picture book. 5-7)Pub Date: May 1, 2010
ISBN: 978-0-545-26124-1
Page Count: 26
Publisher: Scholastic
Review Posted Online: Dec. 28, 2018
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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