by Frank Sileo ; illustrated by MacKenzie Haley ‧ RELEASE DATE: Sept. 10, 2019
The Halloween theme may help the didactic lesson go down, but this is a four-season issue.
A young witch gets a lesson about tattling while away at camp.
Camp Spellbound draws witches from all around to race brooms, swap potions, hold cackling contests, and decorate their hats. But Wanda, who craves the attention of the Head Witch, ruins everyone’s fun with her snitching. It isn’t long before the other campers are refusing to interact with her at all. Clueless Wanda asks fellow camper Wyatt why. Wyatt explains the difference between tattling and telling: Snitching gets people in trouble; telling is for unsafe conditions, when someone’s hurt, or when you need help from a grown-up. That night, some campers put a spell on Wanda to keep her from tattling. She can’t tell the Head Witch that Winnie took an extra doughnut or that Wendy stole spell ingredients. But when she sees Elmira altering William’s broom, which might cause an accident during the broom race, she must find a way to phrase the issue so it doesn’t sound like a snitch, thereby earning back her voice…and her friends. Three pages of dense text for grown-ups follow the tale, explaining snitching versus telling, why kids snitch, and what adults can do about it. Haley’s artwork features dark backgrounds with brilliant splashes of vibrant colors and a diverse cast. Wanda presents white and Wyatt, black.
The Halloween theme may help the didactic lesson go down, but this is a four-season issue. (Picture book. 3-8)Pub Date: Sept. 10, 2019
ISBN: 978-1-4338-3022-8
Page Count: 32
Publisher: Magination/American Psychological Association
Review Posted Online: July 13, 2019
Kirkus Reviews Issue: Aug. 1, 2019
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by Frank Sileo ; illustrated by Claire Keay
by Sybil Rosen ; illustrated by Camille Garoche ‧ RELEASE DATE: March 16, 2021
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story.
A home-renovation project is interrupted by a family of wrens, allowing a young girl an up-close glimpse of nature.
Renata and her father enjoy working on upgrading their bathroom, installing a clawfoot bathtub, and cutting a space for a new window. One warm night, after Papi leaves the window space open, two wrens begin making a nest in the bathroom. Rather than seeing it as an unfortunate delay of their project, Renata and Papi decide to let the avian carpenters continue their work. Renata witnesses the birth of four chicks as their rosy eggs split open “like coats that are suddenly too small.” Renata finds at a crucial moment that she can help the chicks learn to fly, even with the bittersweet knowledge that it will only hasten their exits from her life. Rosen uses lively language and well-chosen details to move the story of the baby birds forward. The text suggests the strong bond built by this Afro-Latinx father and daughter with their ongoing project without needing to point it out explicitly, a light touch in a picture book full of delicate, well-drawn moments and precise wording. Garoche’s drawings are impressively detailed, from the nest’s many small bits to the developing first feathers on the chicks and the wall smudges and exposed wiring of the renovation. (This book was reviewed digitally with 10-by-20-inch double-page spreads viewed at actual size.)
Renata’s wren encounter proves magical, one most children could only wish to experience outside of this lovely story. (Picture book. 3-7)Pub Date: March 16, 2021
ISBN: 978-0-593-12320-1
Page Count: 40
Publisher: Schwartz & Wade/Random
Review Posted Online: Jan. 12, 2021
Kirkus Reviews Issue: Feb. 1, 2021
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by Riel Nason ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Sept. 1, 2020
Halloween is used merely as a backdrop; better holiday titles for young readers are available.
A ghost learns to appreciate his differences.
The little ghost protagonist of this title is unusual. He’s a quilt, not a lightweight sheet like his parents and friends. He dislikes being different despite his mom’s reassurance that his ancestors also had unconventional appearances. Halloween makes the little ghost happy, though. He decides to watch trick-or-treaters by draping over a porch chair—but lands on a porch rail instead. A mom accompanying her daughter picks him up, wraps him around her chilly daughter, and brings him home with them! The family likes his looks and comforting warmth, and the little ghost immediately feels better about himself. As soon as he’s able to, he flies out through the chimney and muses happily that this adventure happened only due to his being a quilt. This odd but gently told story conveys the importance of self-respect and acceptance of one’s uniqueness. The delivery of this positive message has something of a heavy-handed feel and is rushed besides. It also isn’t entirely logical: The protagonist could have been a different type of covering; a blanket, for instance, might have enjoyed an identical experience. The soft, pleasing illustrations’ palette of tans, grays, white, black, some touches of color, and, occasionally, white text against black backgrounds suggest isolation, such as the ghost feels about himself. Most humans, including the trick-or-treating mom and daughter, have beige skin. (This book was reviewed digitally with 11-by-16.6-inch double-page spreads viewed at 66.2% of actual size.)
Halloween is used merely as a backdrop; better holiday titles for young readers are available. (Picture book. 4-7)Pub Date: Sept. 1, 2020
ISBN: 978-0-7352-6447-2
Page Count: 48
Publisher: Tundra Books
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Riel Nason ; illustrated by Byron Eggenschwiler
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by Riel Nason ; illustrated by Byron Eggenschwiler
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