by Frank Tupta ; illustrated by Kyle Beckett ‧ RELEASE DATE: July 21, 2020
Entertaining and enjoyable for building and critter lovers.
Building a house can be a monstrous job.
A crack construction crew of nocturnal monsters, including werewolves, Invisible Man, Cyclops, and witches, teams up to build new digs for a vampire family. The challenge, foreman Frankenstein exhorts: Finish while it’s still dark; the vampires must move in before sunup. Uh-oh! It looks like they may not make the deadline. But, whew, magic prevails: “The job got done / and…no one died.” After the bloodsucker family settles in to the “SCARIEST place / with the SPOOKIEST view,” the sleepy monsters toddle off home with their trucks, tools, and equipment and head to bed. This jaunty rhyming tale will appeal as much to construction aficionados as to monster mavens. Various vehicles, tools, building materials, and nuts and bolts of the trade are mentioned and illustrated, and otherworldly laborers are depicted toiling away. The lively, clipped verses capture the rapid speed and rhythms at which the monsters work to ensure the job’s speedy completion. Humorously lively, energetic illustrations feature numerous busy, multicolored monsters and mounds of dirt; the palette highlights mostly dark shades (this is a nighttime enterprise, after all), but a full moon lights the proceedings well enough to illuminate the monsters’ comical, frantic expressions; a round yellow sun at the book’s conclusion brings the evening’s proceedings to a happy finish.
Entertaining and enjoyable for building and critter lovers. (Picture book. 4-7)Pub Date: July 21, 2020
ISBN: 978-1-5420-0543-2
Page Count: 40
Publisher: Two Lions
Review Posted Online: July 13, 2020
Kirkus Reviews Issue: Aug. 1, 2020
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by Drew Daywalt ; illustrated by Oliver Jeffers ‧ RELEASE DATE: Dec. 24, 2019
As ephemeral as a valentine.
Daywalt and Jeffers’ wandering crayons explore love.
Each double-page spread offers readers a vision of one of the anthropomorphic crayons on the left along with the statement “Love is [color].” The word love is represented by a small heart in the appropriate color. Opposite, childlike crayon drawings explain how that color represents love. So, readers learn, “love is green. / Because love is helpful.” The accompanying crayon drawing depicts two alligators, one holding a recycling bin and the other tossing a plastic cup into it, offering readers two ways of understanding green. Some statements are thought-provoking: “Love is white. / Because sometimes love is hard to see,” reaches beyond the immediate image of a cat’s yellow eyes, pink nose, and black mouth and whiskers, its white face and body indistinguishable from the paper it’s drawn on, to prompt real questions. “Love is brown. / Because sometimes love stinks,” on the other hand, depicted by a brown bear standing next to a brown, squiggly turd, may provoke giggles but is fundamentally a cheap laugh. Some of the color assignments have a distinctly arbitrary feel: Why is purple associated with the imagination and pink with silliness? Fans of The Day the Crayons Quit (2013) hoping for more clever, metaliterary fun will be disappointed by this rather syrupy read.
As ephemeral as a valentine. (Picture book. 4-6)Pub Date: Dec. 24, 2019
ISBN: 978-1-5247-9268-8
Page Count: 32
Publisher: Penguin Workshop
Review Posted Online: Feb. 1, 2021
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by Drew Daywalt ; illustrated by Oliver Jeffers
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SEEN & HEARD
SEEN & HEARD
by Marilyn Sadler ; illustrated by Stephanie Laberis ‧ RELEASE DATE: Aug. 13, 2024
Too cute to be spooky indeed but most certainly sweet.
A ghost longs to be scary, but none of the creepy personas she tries on fit.
Misty, a feline ghost with big green eyes and long whiskers, wants to be the frightening presence that her haunted house calls for, but sadly, she’s “too cute to be spooky.” She dons toilet paper to resemble a mummy, attempts to fly on a broom like a witch, and howls at the moon like a werewolf. Nothing works. She heads to a Halloween party dressed reluctantly as herself. When she arrives, her friends’ joyful screams reassure her that she’s great just as she is. Sadler’s message, though a familiar one, is delivered effectively in a charming, ghostly package. Misty truly is too precious to be frightening. Laberis depicts an endearingly spooky, all-animal cast—a frog witch, for instance, and a crocodilian mummy. Misty’s sidekick, a cheery little bat who lends support throughout, might be even more adorable than she is. Though Misty’s haunted house is filled with cobwebs and surrounded by jagged, leafless trees, the charming characters keep things from ever getting too frightening. The images will encourage lingering looks. Clearly, there’s plenty that makes Misty special just as she is—a takeaway that adults sharing the book with their little ones should be sure to drive home.
Too cute to be spooky indeed but most certainly sweet. (Picture book. 4-6)Pub Date: Aug. 13, 2024
ISBN: 9780593702901
Page Count: 32
Publisher: Random House
Review Posted Online: May 17, 2024
Kirkus Reviews Issue: June 15, 2024
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