Similar in tone and feel to Young Frank, Architect (2013), this companion acts as both promotion for the MoMA and an...
Tiny, bespectacled Charlotte is a young filmmaker who has discovered the joy of black-and-white cinematography.
In fact, color gives her a headache. Using her very black cat, Smudge, as a model, she shoots lots of monochrome footage, which is not always understood by her classmates. At the Museum of Modern Art, she encounters an artistic soul mate named Scarlet, who works in the film department. Scarlet introduces Charlotte to old black-and-white classics and arranges a screening of Charlotte’s film at the museum. The film is shown to great acclaim; she is the talk of the town, and even her classmates “embrace Charlotte in all her black-and-whiteness.” Mirroring the sophistication of Charlotte’s artistic ambitions, Viva’s design is funky and graphic, mostly monochrome and tan with touches of fuchsia, often for skin tones. He has a lot of fun with Manhattan signage, which pops out of the black endpapers and appears throughout the book. Surrealist figures populate the streets and peer out of windows. Aftermatter offers further information on the MoMA’s film department as well as brief bios of Lotte Reiniger and Jean Arp.
Similar in tone and feel to Young Frank, Architect (2013), this companion acts as both promotion for the MoMA and an encouragement to budding artists to think outside the box and pursue their dreams. (Picture book. 7-10)Pub Date: Sept. 15, 2015
ISBN: 978-0-87070-950-0
Page Count: 40
Publisher: MoMA
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A welcome, well-researched reflection of cultural pride in the early-reader landscape.
The fourth installment in Delacre’s early-reader series centers on the rich musical traditions of Puerto Rico, once again featuring sibling tree frogs Rafi and Rosi Coquí.
Readers learn along with Rafi and Rosi as they explore bomba, plena, and salsa in three chapters. A glossary at the beginning sets readers up well to understand the Spanish vocabulary, including accurate phoneticization for non-Spanish speakers. The stories focus on Rafi and Rosi’s relationship within a musical context. For example, in one chapter Rafi finds out that he attracts a larger audience playing his homemade güiro with Rosi’s help even though he initially excluded her: “Big brothers only.” Even when he makes mistakes, as the older brother, Rafi consoles Rosi when she is embarrassed or angry at him. In each instance, their shared joy for music and dance ultimately shines through any upsets—a valuable reflection of unity. Informational backmatter and author’s sources are extensive. Undoubtedly these will help teachers, librarians, and parents to develop Puerto Rican cultural programs, curriculum, or home activities to extend young readers’ learning. The inclusion of instructions to make one’s own homemade güiro is a thoughtful addition. The Spanish translation, also by Delacre and published simultaneously, will require a more advanced reader than the English one to recognize and comprehend contractions (“pa’bajo-pa-pa’rriba”) and relatively sophisticated vocabulary.
A welcome, well-researched reflection of cultural pride in the early-reader landscape. (Early reader. 7-9)Pub Date: Sept. 17, 2019
ISBN: 978-0-89239-429-6
Page Count: 64
Publisher: Children's Book Press
Review Posted Online: July 27, 2019
Kirkus Reviews Issue: Aug. 15, 2019
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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