A dazzling and intriguing poetic examination of the wonders of the universe.
The natural world melds with the spiritual unknown in this collection of poetry.
The epigraph to this new offering by Watson asserts: “Finding meaning / in the subtle underpinnings / of this soft earth.” This reads as the poet’s mission statement for the forthcoming pages, where he delights in illuminating the disregarded minutiae of human life. The fluid collection is divided into 10 books, each no more than 50 pages long, and complemented by paintings from a broad range of artists, from Nicholas Roerich to Pieter Bruegel the Elder. In the opening poem, “origins,” the author’s camera eye zooms outward from microcosm to macrocosm, capturing “distant sands / turned white as flecks / on wild black hair” to the infinite expanse of “where the world begins / before Creation.” This strikingly visual collection then seeks to understand humankind’s place in the universe by taking readers on a poetic journey through time and space. Watson’s writing is sparse yet deeply thought-provoking, as in the poem “fossils,” which celebrates an indelible declaration of love across the ages: “In two thousand years / they will find an oak fossil / with the lovers’ names.” The poet has the ability to evoke complex ideas regarding existence with an enviable economy of line, as here in “particles”: “All the dust / that’s swept into / the world’s wind / and the particle / that is me.” Watson’s previous work has been criticized for its fragmentary nature—this offering is also heavy with visually arresting images, but read in sequence, the poems serve to inform one another concurrently. For example, the poem “she sleeps” could be interpreted as a fragment: “She sleeps / beneath the moon / as I slip / into the covers / of imagination.” But it is embellished by the following poem, “desert of dreams”: “She shadow-walks / across the desert of dreams / to pierce my sleeping mind.” The result is an intoxicating, acutely observant collection where landscapes shift continuously and meaning is in a constant state of flux. Fans of Watson’s work will find this his most penetrating, cohesive volume to date.
A dazzling and intriguing poetic examination of the wonders of the universe.Pub Date: July 7, 2020
ISBN: 978-1-939832-19-1
Page Count: 230
Publisher: Plum White Press
Review Posted Online: April 30, 2020
Kirkus Reviews Issue: June 15, 2020
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
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PERSPECTIVES
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