Wynne employs all the devices of an expert roman policier.
A spectacular story of vengeance and fraud told with verve and style by British journalist Wynne, translator to English of Michel Houellebecq’s The Elementary Particles, 2000, among others.
The incredible story of how Dutch painter Han van Meegeren avenged himself on supercilious art critics by becoming an expert forger of Vermeer and fooling the Nazis conveys a valuable lesson in how we see, notes Wynne in this methodical, suspenseful tale. A largely self-taught artist with reactionary views out of sync with modernist fashion, van Meegeren, from the city of Deventer, obsessively taught himself the arcane knowledge of 17th-century painting (the use of pigments, ores and metals) while studying architecture in Delft. At first hailed as a promising young talent, he was passed over as a fogey, then left his first wife and scandalously married Joanna Oelermans, former wife of esteemed art critic Karel de Boer. Moving from art restoration to copying the masters, van Meegeren devoted himself to forgery, and decided to choose as his “victim” Vermeer, an artist long neglected with a paucity of output whose rediscovery was largely due to the writing of French critic Théophile Thoré in the mid-19th century. Working out of a house he purchased with Joanna in Nice, van Meegeren stripped a second-rate period canvas, employed only materials Vermeer would have used, reproduced the craquelure to make it completely convincing, and in essence created a lost 17th-century religious masterpiece of his own genius: The Supper at Emmaus, after a Caravaggio he had seen. Next came the job of authentication, readily supplied by the respected aging critic Abraham Bredius, and soon the phony masterpiece was bought for a fabulous sum and hung in The Hague’s Boijmans Gallery. With the advent of war, and Hitler’s determination to own a Vermeer of his own, van Meegeren’s knockoffs soon made their way into Hermann Göring’s collection. The forger’s trajectory from wealthy charlatan to national hero makes for delicious reading.
Wynne employs all the devices of an expert roman policier.Pub Date: Sept. 5, 2006
ISBN: 1-58234-593-7
Page Count: 288
Publisher: Bloomsbury
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...
The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990).
Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.
Pub Date: Jan. 1, 1996
ISBN: 0-679-42850-X
Page Count: 320
Publisher: Villard
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1995
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