by Franz Kafka ; translated by Alexander Starritt ‧ RELEASE DATE: March 5, 2019
A welcome distillation of Kafka’s short fiction, essential indeed.
Anthology of freshly translated stories by the acerbic master of early continental modernism.
Kafka (1883-1924) did not live long, and the years he did have were filled with angst that he put into the service of art. He is best known for strange, gloomy stories of, say, an unfortunate young man who turns into a beetle or another unfortunate if somewhat older man caught up in a grinding legal system that makes Bleak House look like summer camp. Yet Kafka had a playful side, as this little anthology of “essential stories” reveals early on with a small, little-known piece called “Poseidon,” in which Kafka—himself a lawyer in an insurance firm—imagines the Greek god of the sea as a beleaguered accountant annoyed at the presupposition that he, as a deity, was free to do as he pleased: “The only interruption to this monotony were occasional visits to Jupiter, visits, by the way, from which he usually returned in a fury.” The one-page title story is of a piece, reporting that the putative freedom of a bachelor really means loneliness: “both today and in the future you’ll actually be standing there yourself, with a body and a real head, as well as a forehead, which you can use your hand to slap.” Some of the better-known stories are here, including the long piece “In the Penal Colony,” which anticipates the tortures and bureaucratic horrors of the 20th century (“I want to describe the machine before I start the process,” the just-following-orders jailer blandly explains). Throughout, reading and rereading these stories, one is reminded of how timely Kafka is: He writes of “European attitudes” that give way to nationalist clashes and tribalism (“Why is the chief engineer a Romanian?” grouses an engine-room denizen who, as a German, imagines himself superior) and always of the inhumanity that lurks just below the thin veneer of civilization.
A welcome distillation of Kafka’s short fiction, essential indeed.Pub Date: March 5, 2019
ISBN: 978-1-78227-439-1
Page Count: 192
Publisher: Pushkin Press
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
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by Franz Kafka ; translated by Ross Benjamin
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by Franz Kafka ; translated by Michael Hofmann
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by Franz Kafka & translated by Michael Hoffman
by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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BOOK TO SCREEN
by Kevin Hearne ‧ RELEASE DATE: Feb. 4, 2020
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.
Book 2 of Hearne's latest fantasy trilogy, The Seven Kennings (A Plague of Giants, 2017), set in a multiracial world thrust into turmoil by an invasion of peculiar giants.
In this world, most races have their own particular magical endowment, or “kenning,” though there are downsides to trying to gain the magic (an excellent chance of being killed instead) and using it (rapid aging and death). Most recently discovered is the sixth kenning, whose beneficiaries can talk to and command animals. The story canters along, although with multiple first-person narrators, it's confusing at times. Some characters are familiar, others are new, most of them with their own problems to solve, all somehow caught up in the grand design. To escape her overbearing father and the unreasoning violence his kind represents, fire-giant Olet Kanek leads her followers into the far north, hoping to found a new city where the races and kennings can peacefully coexist. Joining Olet are young Abhinava Khose, discoverer of the sixth kenning, and, later, Koesha Gansu (kenning: air), captain of an all-female crew shipwrecked by deep-sea monsters. Elsewhere, Hanima, who commands hive insects, struggles to free her city from the iron grip of wealthy, callous merchant monarchists. Other threads focus on the Bone Giants, relentless invaders seeking the still-unknown seventh kenning, whose confidence that this can defeat the other six is deeply disturbing. Under Hearne's light touch, these elements mesh perfectly, presenting an inventive, eye-filling panorama; satisfying (and, where appropriate, well-resolved) plotlines; and tensions between the races and their kennings to supply much of the drama.
A charming and persuasive entry that will leave readers impatiently awaiting the concluding volume.Pub Date: Feb. 4, 2020
ISBN: 978-0-345-54857-3
Page Count: 592
Publisher: Del Rey/Ballantine
Review Posted Online: Nov. 24, 2019
Kirkus Reviews Issue: Dec. 15, 2019
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by Kevin Hearne
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