by Fred Paronuzzi ; illustrated by Mariana Ruiz Johnson ‧ RELEASE DATE: Feb. 28, 2021
Lively scenes and a pro-reading theme combine for a solid title with buckets of kid appeal.
From morning to evening, a child’s day pulses with the sounds that form this book’s only text.
At the breakfast table, the multiracial family slurps cereal and plops a tea bag as the radio intones “BLAHBLAHBLAH.” In a convivial bathroom scene, each person readies for the day, with a “FFFFT” of cologne, the “BZZZZ” of a shaver, and the “SWOOSH WHOOSH SWOOSH” of a toothbrush. Successive scenes picture travel to preschool, indoor and outdoor play, and naptime, accompanied by a teacher’s strumming guitar. Then it’s off for an indoor group swim, changing in a pleasantly kinetic locker room, and home again along busy streets. Ruiz Johnson beautifully depicts the high energy of young children in urban settings. Her bright, complementary palette employs blues and warm oranges to enliven the scenes. Children and adults embody wide-ranging skin tones and hair textures and sport a rainbow of colorful, patterned clothing. The child protagonist is seldom seen without an important-looking black-covered book, but it’s only after arriving home that its pages can finally be opened. Amid the whir of housework and meal prep, the child slips into another world, which the artist depicts as a darkly inviting, soundless scene of stars, botanical motifs, animals, an elf, and a mermaid. Through this lovely contrast, preschoolers will understand the transportive power of reading.
Lively scenes and a pro-reading theme combine for a solid title with buckets of kid appeal. (Picture book. 2-6)Pub Date: Feb. 28, 2021
ISBN: 978-0-7643-6106-7
Page Count: 32
Publisher: Schiffer
Review Posted Online: Jan. 26, 2021
Kirkus Reviews Issue: Feb. 15, 2021
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by Fred Paronuzzi ; illustrated by Andree Prigent ; translated by Elie Brangbour
by Alice Schertle ; illustrated by Jill McElmurry ‧ RELEASE DATE: Sept. 23, 2014
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own...
The sturdy Little Blue Truck is back for his third adventure, this time delivering Christmas trees to his band of animal pals.
The truck is decked out for the season with a Christmas wreath that suggests a nose between headlights acting as eyeballs. Little Blue loads up with trees at Toad’s Trees, where five trees are marked with numbered tags. These five trees are counted and arithmetically manipulated in various ways throughout the rhyming story as they are dropped off one by one to Little Blue’s friends. The final tree is reserved for the truck’s own use at his garage home, where he is welcomed back by the tree salestoad in a neatly circular fashion. The last tree is already decorated, and Little Blue gets a surprise along with readers, as tiny lights embedded in the illustrations sparkle for a few seconds when the last page is turned. Though it’s a gimmick, it’s a pleasant surprise, and it fits with the retro atmosphere of the snowy country scenes. The short, rhyming text is accented with colored highlights, red for the animal sounds and bright green for the numerical words in the Christmas-tree countdown.
Little Blue’s fans will enjoy the animal sounds and counting opportunities, but it’s the sparkling lights on the truck’s own tree that will put a twinkle in a toddler’s eyes. (Picture book. 2-5)Pub Date: Sept. 23, 2014
ISBN: 978-0-544-32041-3
Page Count: 24
Publisher: HMH Books
Review Posted Online: Aug. 11, 2014
Kirkus Reviews Issue: Sept. 1, 2014
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by Alice Schertle ; illustrated by Jill McElmurry
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by Alice Schertle ; illustrated by John Joseph
BOOK REVIEW
by Alice Schertle ; illustrated by John Joseph
by Christopher Silas Neal ; illustrated by Christopher Silas Neal ‧ RELEASE DATE: March 27, 2018
Innovative and thoroughly enjoyable.
You think you know shapes? Animals? Blend them together, and you might see them both a little differently!
What a mischievous twist on a concept book! With wordplay and a few groan-inducing puns, Neal creates connections among animals and shapes that are both unexpected and so seemingly obvious that readers might wonder why they didn’t see them all along. Of course, a “lazy turtle” meeting an oval would create the side-splitting combo of a “SLOW-VAL.” A dramatic page turn transforms a deeply saturated, clean-lined green oval by superimposing a head and turtle shell atop, with watery blue ripples completing the illusion. Minimal backgrounds and sketchy, impressionistic detailing keep the focus right on the zany animals. Beginning with simple shapes, the geometric forms become more complicated as the book advances, taking readers from a “soaring bird” that meets a triangle to become a “FLY-ANGLE” to a “sleepy lion” nonagon “YAWN-AGON.” Its companion text, Animal Colors, delves into color theory, this time creating entirely hybrid animals, such as the “GREEN WHION” with maned head and whale’s tail made from a “blue whale and a yellow lion.” It’s a compelling way to visualize color mixing, and like Animal Shapes, it’s got verve. Who doesn’t want to shout out that a yellow kangaroo/green moose blend is a “CHARTREUSE KANGAMOOSE”?
Innovative and thoroughly enjoyable. (Board book. 2-4)Pub Date: March 27, 2018
ISBN: 978-1-4998-0534-5
Page Count: 40
Publisher: Little Bee Books
Review Posted Online: May 13, 2018
Kirkus Reviews Issue: July 1, 2018
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More by Kate Messner
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by Kate Messner ; illustrated by Christopher Silas Neal
BOOK REVIEW
by Sneed B. Collard III ; illustrated by Christopher Silas Neal
BOOK REVIEW
by Jody Jensen Shaffer ; illustrated by Christopher Silas Neal
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