A story we cannot hear too many times is grippingly retold in this blistering report from hell on earth. Wander’s legacy...
The experiences of Galician Holocaust survivor Wander, who died in 2006, are starkly fictionalized in this lyrical novel originally published in East Germany in 1970.
The episodic narrative chronicles hardship and an endangered culture’s communal will to survive. It is presented by an unnamed narrator who honors his comrades in suffering by describing their ordeals and retelling their stories. Wander’s resonant title, taken from a 16th-century poem by Rabbi Loew of Prague, offers an image of unshakeable faith—as do the prisoners whom we encounter at Auschwitz, during an arduous mountain crossing in flight from the Nazis’ enemies, and at Buchenwald—where the first things the arriving prisoners see are “stacks” of dead bodies. The details may be (alas) familiar, but their cumulative power is considerable. Comparisons to both classic concentration-camp memoirs and Alexander Solzhenitsyn’s One Day in the Life of Ivan Denisovich are as justly earned as they are inevitable. Among the most memorable of the narrator’s companions: “storyteller” Mendel Teichmann, an ironical atheist who nevertheless confirms his hearers’ stubborn hopefulness indomitable; “Parisian laborer and resistance fighter” Jacques; rich farmer Meir Bernstein, who stoically refuses to believe that everything will be taken from him; and teenaged Tadeusz Moll, who eventually runs out of the astonishing good luck that had magically attached to him. A slight tendency toward sentimental oversimplification is effectively balanced by Wander’s gift for understatement (wonderfully rendered by Hofmann’s beautiful translation). And no reader will be unmoved by lucid homespun metaphors (e.g., “Mornings when a sun comes up bloody as out of a battle”) or such scenes as a “demonstration against barbarism” accomplished by “educated” prisoners discussing favorite literary works.
A story we cannot hear too many times is grippingly retold in this blistering report from hell on earth. Wander’s legacy thus becomes a gift bequeathed to all of us.Pub Date: Dec. 1, 2007
ISBN: 978-0-393-06538-1
Page Count: 192
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
This book sings with the terrible silence of dead civilizations in which once there was valor.
Written with quiet dignity that builds to a climax of tragic force, this book about the dissolution of an African tribe, its traditions, and values, represents a welcome departure from the familiar "Me, white brother" genre.
Written by a Nigerian African trained in missionary schools, this novel tells quietly the story of a brave man, Okonkwo, whose life has absolute validity in terms of his culture, and who exercises his prerogative as a warrior, father, and husband with unflinching single mindedness. But into the complex Nigerian village filters the teachings of strangers, teachings so alien to the tribe, that resistance is impossible. One must distinguish a force to be able to oppose it, and to most, the talk of Christian salvation is no more than the babbling of incoherent children. Still, with his guns and persistence, the white man, amoeba-like, gradually absorbs the native culture and in despair, Okonkwo, unable to withstand the corrosion of what he, alone, understands to be the life force of his people, hangs himself. In the formlessness of the dying culture, it is the missionary who takes note of the event, reminding himself to give Okonkwo's gesture a line or two in his work, The Pacification of the Primitive Tribes of the Lower Niger.
This book sings with the terrible silence of dead civilizations in which once there was valor.Pub Date: Jan. 23, 1958
ISBN: 0385474547
Page Count: 207
Publisher: McDowell, Obolensky
Review Posted Online: April 23, 2013
Kirkus Reviews Issue: Jan. 1, 1958
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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