These stories reaffirm Busch’s familiar vision of good deeds counting for little in a dangerous world.
The missions of the title give a thematic unity to this dark collection of 15 stories from Busch (North, 2005, etc.), who died last February.
Death haunts this collection. In “I Am the News,” two brothers, one thriving, the other facing ruin, meet after the death of their father, a proud former Marine. Though the successful brother and his father were ideological foes, he respects the Marine ethos and looks out for his kid brother. Another veteran figures in the far more effective “Good to Go.” Patrick, back from Iraq, has just bought a surplus army gun. Can his frantic parents wrest it away from this hard young man they no longer know? “Metal Fatigue” is another small gem. Harold is visiting daughter Linda in a mental hospital after her suicide attempt. Deranged, yet shockingly lucid, she uses another family tragedy, her grandfather’s death, to browbeat her loving dad. That tight focus is missing from the off-key “The Bottom of the Glass,” in which an obese, interracial married couple travels to France to console a distant relative after her second husband’s death. Passionate sex as an antidote to death (the point of “One Last Time for Old Times’ Sake”) is tiresomely delayed by talk about death during a lovers’ final tryst, while in “The Small Salvation,” a middle-aged man’s liberating sexual encounter with a kindergarten teacher is clouded by memories of his wife’s death. In the title story, Edward is a staffer at a Rescue Mission. He knows all about abuse (his mother was killed by an abusive boyfriend) yet his attempt to help a doomed young woman is unavailing. And when, in “The Hay Behind the House,” compassionate Cara travels upstate from New York to save her parents from old age, it’s her mother who saves her from rape.
These stories reaffirm Busch’s familiar vision of good deeds counting for little in a dangerous world.Pub Date: Oct. 1, 2006
ISBN: 0-393-06252-X
Page Count: 304
Publisher: Norton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2006
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
Carefully worked tales that are as good as many and better than most.
A first collection from Irish-born Keegan spans the Atlantic, touching down in rural Ireland and the southern US—with results often familiar or stretched-for, yet deftly done and alluringly readable.
In the title story, a happily married woman wants to find out what it’s like to have sex with someone else—and does so indeed, in a psychological clunker that crosses Hitchcock with O. Henry while remaining ever-intriguing to the eye. A near-wizardry of language and detail, too, closes the volume, with “The Ginger Rogers Sermon,” when a pubescent girl in Ireland, sexually curious, brings about the suicide of a hulking lumberman in a tone-perfect but morally inert story. In between are longer and shorter, greater and lesser tales. Among the better are “Men and Women,” about a suffering Irish farmwife who at last rebels against a cruelly domineering husband; the southern-set “Ride If You Dare,” about a couple who shyly meet after running personals ads; and “Stay Close to the Water’s Edge,” about a Harvard student who despises—and is despised by—his millionaire stepfather. Psychologically more thin or commonplace are “Storms,” told by an Irish daughter whose mother went mad; “Where the Water’s Deepest,” a snippet about an au pair afraid of “losing” her charge; or “The Singing Cashier”—based on fact, we’re rather pointlessly told—about a couple who, unbeknownst to their neighbors, commit “hideous acts on teenage girls.” Keegan’s best include the more maturely conceived “Passport Soup,” about a man devoured by guilt and grief after his daughter goes missing while in his care; “Quare Name for a Boy,” in which a young woman, pregnant by a single-fling boyfriend whom she no longer has an interest in, determines that she’ll go on into motherhood without him; and the nicely sustained “Sisters”—one dutiful and plain, the other lovely and self-indulgent—who come to a symbolically perfect end.
Carefully worked tales that are as good as many and better than most.Pub Date: July 1, 2001
ISBN: 0-87113-779-8
Page Count: 208
Publisher: Atlantic Monthly
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 2001
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