Skillfully selecting from the first volume of the great African-American abolitionist's monumental autobiography (1845), McCurdy presents Douglass's early life—including his escape from Baltimore to New Bedford, via New York, at age 20—scrupulously explaining that he has edited ``to emphasize action'' but has ``kept Douglass's own words, spelling, and distinctive punctuation,'' and has occasionally ``rearranged for the sake of clarity.'' The result is eloquent and compelling. Douglass's vividly described experiences and thoughtful observations of slavery's effects—on master as well as slave—still resonate: one mistress teaching him to read before she had learned to be cruel (as she did soon thereafter); his fighting back against a brutal master and, incredibly, surviving; his despair (``My natural elasticity was crushed, my intellect languished, the disposition to read departed...the dark night of slavery closed in upon me, and behold a man transformed into a brute!''); his ``thrill of joy,'' once free, at being able to ``plead the cause of my brethren.'' All readers should encounter these scenes in Douglass's own words. McCurdy has set them handsomely; his elegantly composed wood engravings are distinguished by unusual power and dignity. Explanatory chapter introductions smoothly link events. A book that belongs in every library. Brief bibliography of sources. (Autobiography. 9+)
Pub Date: Feb. 1, 1994
ISBN: 0-679-84652-2
Page Count: 80
Publisher: Knopf
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Jan. 1, 1994
A breezy, bustling bucketful of courageous acts and eye-popping feats.
Why should grown-ups get all the historical, scientific, athletic, cinematic, and artistic glory?
Choosing exemplars from both past and present, Mitchell includes but goes well beyond Alexander the Great, Anne Frank, and like usual suspects to introduce a host of lesser-known luminaries. These include Shapur II, who was formally crowned king of Persia before he was born, Indian dancer/professional architect Sheila Sri Prakash, transgender spokesperson Jazz Jennings, inventor Param Jaggi, and an international host of other teen or preteen activists and prodigies. The individual portraits range from one paragraph to several pages in length, and they are interspersed with group tributes to, for instance, the Nazi-resisting “Swingkinder,” the striking New York City newsboys, and the marchers of the Birmingham Children’s Crusade. Mitchell even offers would-be villains a role model in Elagabalus, “boy emperor of Rome,” though she notes that he, at least, came to an awful end: “Then, then! They dumped his remains in the Tiber River, to be nommed by fish for all eternity.” The entries are arranged in no evident order, and though the backmatter includes multiple booklists, a personality quiz, a glossary, and even a quick Braille primer (with Braille jokes to decode), there is no index. Still, for readers whose fires need lighting, there’s motivational kindling on nearly every page.
A breezy, bustling bucketful of courageous acts and eye-popping feats. (finished illustrations not seen) (Collective biography. 10-13)Pub Date: May 10, 2016
ISBN: 978-0-14-751813-2
Page Count: 320
Publisher: Puffin
Review Posted Online: Nov. 10, 2015
Kirkus Reviews Issue: Dec. 1, 2015
A detailed, absorbing picture of Chinese-American culture in the 50's and 60's, of particular interest to Yep's many...
In a strong debut for the new "In My Own Words" series, the author of The Star Fisher (see below) portrays his own youth.
Brought up in San Francisco, where his parents managed for years to defend a mom-and-pop grocery against an increasingly rough non-Chinese neighborhood, Yep went to Chinatown to attend a Catholic school and to visit his grandmother. Always aware of belonging to several cultures, he is a keen observer who began early to "keep a file of family history" and who tellingly reveals how writing fiction, honestly pursued, can lead to new insights: in putting his own "mean" teacher into one book, he began for the first time to understand her viewpoint. He divides his account topically, rather than chronologically, with chapters on the store, Chinatown, family tradition, being an outsider, etc., concluding with his college years ("Culture Shock") and some later experiences especially related to his writing. Always, Yep is trying to integrate his many "pieces" ("raised in a black neighborhood...too American to fit into Chinatown and too Chinese to fit in elsewhere...the clumsy son of the athletic family..."), until he discovers that writing transforms him "from being a puzzle to a puzzle solver."
A detailed, absorbing picture of Chinese-American culture in the 50's and 60's, of particular interest to Yep's many admirers or would-be writers. (Autobiography. 11-15)Pub Date: May 1, 1991
ISBN: 0688137016
Page Count: 117
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 1991
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