THE WINNERS

Life continues haltingly for the inhabitants of Beartown and its rival borough, Hed.

As in the two earlier books in this series (Beartown, 2017; Us Against You, 2018), things are never settled between these two hockey-obsessed towns in the forests of Sweden. Only one can seemingly do well at a time—resourcewise or hockeywise; the two are interchangeable—and their residents share a mutual, pathological hatred. Beloved characters return, new ones are introduced, tragedy is promised. Backman repeatedly tells the reader about his characters’ overwhelming love for each other, but their ability to actually care for one another comes and goes with the demands of the unwieldy plot. He wants to assure readers that this makes his characters complex, but it really renders them pawns. To stoke the conflict between the towns, he includes not only the pregnancy-ending factory accident of a nameless woman (ushering in a suspiciously out-of-place anti-abortion sentiment), but also the murder of a beloved dog. These machinations are not alone in being soppy and unearned. The book is almost 700 pages long and covers only a two-week span. Backman writes with wit and sincerity and is a talented web-spinner, but with a tale this long, the lack of nuance becomes grating. There’s also a brief “not all men” message that, given the toxic nature of the narrative, is hard to ignore.

A moralistic noir masquerading as a heart-warmer.