A fascinating short story collection offering glimpses into the lives of those usually unobserved.
Halpern offers a soulful collection of short stories, translated from the Yiddish.
The narrator of the story “Blessed Hands” uses her hands as a masseuse, bringing healing to those who need it, but also as a means of making money (“God wanted these same hands to draw their livelihood from touching the human body”). Her mother had to sell her breast milk, leaving none for her children. This story showcases the themes that will propel the stories that follow: healing, spirituality, family, and persevering through poverty. A butcher does not want his son to take on the family business, fearing he’ll be trapped in an identity framed by poverty and hard labor (“Hello, Butch”). In “The Last Breakfast,” a mother sends her son away to grow, change, and learn to be a man, but he meets a grisly fate. In both stories, a parent believes they must send their child away to have a better future, an idea they ultimately realize was wrong in one way or another. A girl who can’t walk without braces and crutches enjoys winter as a time when she can throw snowballs at other kids and finally play with them (“Snowballs”). A woman who has been trapped in a tomb of loneliness finds community and warmth at a leftist political meeting in “Comrade Bashe.” These two stories effectively convey the yearning of the characters for human connection. In other slice-of-life narratives, a shoemaker spends his days laboring away for minimal reward to keep his family fed and happy and is told a story by a religious scholar about the power of hard work (“Munye the Shoemaker and Baruch Spinoza”), and young women wait for news of their husbands away at war while they work and exchange letters to keep their spirits up (“Faces”). With these stories of ordinary people, Halpern demonstrates a sincere understanding of her characters. The pieces collected here were translated from Yiddish by Taub, who contributes a well-thought-out and researched afterword illuminating Halpern’s life and literary artistry, giving readers a fuller experience of her work.
A fascinating short story collection offering glimpses into the lives of those usually unobserved.Pub Date: Oct. 17, 2023
ISBN: 978-1642510492
Page Count: 328
Publisher: Frayed Edge Press
Review Posted Online: Nov. 18, 2023
Kirkus Reviews Issue: Jan. 1, 2024
Review Program: Kirkus Indie
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
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SEEN & HEARD
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.
A grandmaster of the hard-boiled crime genre shifts gears to spin bittersweet and, at times, bizarre tales about bruised, sensitive souls in love and trouble.
In one of the 17 stories that make up this collection, a supporting character says: “People are so afraid of dying that they don’t even live the little bit of life they have.” She casually drops this gnomic observation as a way of breaking down a lead character’s resistance to smoking a cigarette. But her aphorism could apply to almost all the eponymous awkward Black men examined with dry wit and deep empathy by the versatile and prolific Mosley, who takes one of his occasional departures from detective fiction to illuminate the many ways Black men confound society’s expectations and even perplex themselves. There is, for instance, Rufus Coombs, the mailroom messenger in “Pet Fly,” who connects more easily with household pests than he does with the women who work in his building. Or Albert Roundhouse, of “Almost Alyce,” who loses the love of his life and falls into a welter of alcohol, vagrancy, and, ultimately, enlightenment. Perhaps most alienated of all is Michael Trey in “Between Storms,” who locks himself in his New York City apartment after being traumatized by a major storm and finds himself taken by the outside world as a prophet—not of doom, but, maybe, peace? Not all these awkward types are hapless or benign: The short, shy surgeon in “Cut, Cut, Cut” turns out to be something like a mad scientist out of H.G. Wells while “Showdown on the Hudson” is a saga about an authentic Black cowboy from Texas who’s not exactly a perfect fit for New York City but is soon compelled to do the right thing, Western-style. The tough-minded and tenderly observant Mosley style remains constant throughout these stories even as they display varied approaches from the gothic to the surreal.
The range and virtuosity of these stories make this Mosley’s most adventurous and, maybe, best book.Pub Date: Sept. 15, 2020
ISBN: 978-0-8021-4956-5
Page Count: 336
Publisher: Grove
Review Posted Online: Sept. 1, 2020
Kirkus Reviews Issue: Sept. 15, 2020
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