An unnerving tale that richly earns its title. By the last chapter, you won’t believe a word the narrator tells you.
A steep dive into the psyche of a man who may or may not have done some truly terrible things.
The first thing Ryodai Kozuka wants you to know is that that’s not his real name; he’s switched identities with someone else so that he can start a new life. Nor did the narrator push his half sister off a cliff when they were children; she fell on her own once he’d taken her into the woods to get her some breathing room from the home in which her father routinely beat their mother. The narrator isn’t a bit like Tsutomu Miyazaki, the Otaku Murderer of four young girls who was executed in 2008, not long after he reported being urged to commit his heinous crimes by a group of Rat Men only he could see. Instead, he’s a former doctor of psychosomatic medicine whose seduction of his vulnerable patient, sex worker Yukari, was entirely therapeutic, helping her recover from the sexual memories her previous physician, Dr. Yoshimi, had implanted in her. Implanted memories, it becomes gradually clear, are at the heart of this searing novella, though it’s not clear whether her treatment by the smilingly unrepentant Yoshimi or the narrator himself, who wonders if he really slept with her after all, is responsible for Yukari’s suicide. Once she’s hanged herself, the narrator vows to avenge himself on Kida and Mamiya, two former clients who showed her a video of herself that he’s convinced is what really drove her to take her life. Working with Wakui, the cafe owner whose budding relationship with Yukari had finally seemed to promise some stability in her life, he captures the two clients and starts messing with their own heads, and vice versa.
An unnerving tale that richly earns its title. By the last chapter, you won’t believe a word the narrator tells you.Pub Date: Jan. 11, 2022
ISBN: 978-1-641-29272-6
Page Count: 264
Publisher: Soho Crime
Review Posted Online: Sept. 28, 2021
Kirkus Reviews Issue: Oct. 15, 2021
As the prosecutor sadly observes: “All this because of a dead buffalo.”
Idyllic Catalina Island turns out to be just as crime infested as the rest of Los Angeles County in the latest series launch by the creator of Harry Bosch, Renée Ballard, and the Lincoln Lawyer.
Det. Sgt. Stilwell has been bounced off the county homicide squad and rusticized to Catalina, where the exclusive Black Marlin Club won’t admit even four-term Avalon Mayor Doug Allen to full membership and the most serious infraction seems to be the killing and cutting up of a buffalo, presumably by Henry Gaston, who operates Island Mystery Tours when he’s not threatening endangered species. All that changes with the discovery of a body sunk in the surrounding waters. The corpse, most recognizable by its streak of purple hair, is that of Leigh-Anne Moss, a Black Marlin server recently fired for fraternizing with members and guests she sees as potential sugar daddies. Stilwell is sufficiently invested in her murder to compete vigorously over jurisdiction with Rex Ahearn, the LA County homicide detective who kept his job when Stilwell lost his. Their rivalry, fueled by mutual contempt, is only the first hint that Stilwell will end up fighting his counterparts in law enforcement and local government at least as hard as he fights crooks like hit man Merris Spivak and Oscar “Baby Head” Terranova, Henry’s boss, who comes under sharper scrutiny when Henry disappears and ends up dead himself. Connelly handles his hero’s obligatory romance with assistant harbormaster Tash Dano and his increasingly wary alliance with assistant D.A. Monika Juarez with equal professionalism, and if the wrap-up leaves some loose ends dangling, well, that’s what franchises are for.
As the prosecutor sadly observes: “All this because of a dead buffalo.”Pub Date: May 20, 2025
ISBN: 9780316588485
Page Count: 352
Publisher: Little, Brown
Review Posted Online: April 19, 2025
Kirkus Reviews Issue: May 15, 2025
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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