An accessible queer retelling with a low-conflict storyline.
Oliver Bennet is not like the other Jane Austen characters you know; he’s not interested in “having a wife. Or, more importantly, being one.”
As the second-eldest child in the Bennet family, Oliver is expected to marry to maintain the family’s wealth and not be a financial burden. But Oliver’s family knows him as Elizabeth, assigning him an identity that causes him great discomfort, as he knows he’s a boy. Rather than finding a suitable husband, Oliver is much more interested in letting his family (and the rest of the world) know his true identity. If he happens to find love along the way with someone who embraces who he really is, all the better; in the meantime, he’s grateful for the support of older sister Jane, who accepts him as her brother. When Oliver, forced into a gown by Mama, meets the enchanting Fitzwilliam Darcy at a ball, he’s taken aback by how coldly the other boy treats him. However, after a subsequent chance encounter at a fair, where Oliver is dressed in trousers, the boys become friends—and, eventually, something more. Novoa builds on the source text’s narrative, including detailed descriptions of queer life in Regency England as well as the period’s clothing and domestic life. The story is entertaining and fast paced, but a lack of narrative tension serves to keep readers from feeling fully immersed. Cast members are cued white.
An accessible queer retelling with a low-conflict storyline. (author’s note, historical note) (Historical romance. 12-18)Pub Date: Jan. 16, 2024
ISBN: 9781250869807
Page Count: 304
Publisher: Feiwel & Friends
Review Posted Online: Oct. 21, 2023
Kirkus Reviews Issue: Nov. 15, 2023
BOOK REVIEW
BOOK REVIEW
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.
The finely drawn characters capture readers’ attention in this debut.
Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.
There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head. (Fiction. 14 & up)Pub Date: April 1, 2013
ISBN: 978-1-4022-7782-5
Page Count: 336
Publisher: Sourcebooks Fire
Review Posted Online: Feb. 12, 2013
Kirkus Reviews Issue: March 1, 2013
BOOK REVIEW
SEEN & HEARD
A lackluster and sometimes disturbing mishmash of overused tropes.
The Plague has left a population divided between Elites and Ordinaries—those who have powers and those who don’t; now, an Ordinary teen fights for her life.
Paedyn Gray witnessed the king kill her father five years ago, and she’s been thieving and sleeping rough ever since, all while faking Psychic abilities. When she inadvertently saves the life of Prince Kai, she becomes embroiled in the Purging Trials, a competition to commemorate the sickness that killed most of the kingdom’s Ordinaries. Kai’s duties as the future Enforcer include eradicating any remaining Ordinaries, and these Trials are his chance to prove that he’s internalized his brutal training. But Kai can’t help but find Pae’s blue eyes, silver hair, and unabashed attitude enchanting. She likewise struggles to resist his stormy gray eyes, dark hair, and rakish behavior, even as they’re pitted against each other in the Trials and by the king himself. Scenes and concepts that are strongly reminiscent of the Hunger Games fall flat: They aren’t bolstered by the original’s heart or worldbuilding logic that would have justified a few extreme story elements. Illogical leaps and inconsistent characterizations abound, with lighthearted romantic interludes juxtaposed against genocide, child abuse, and sadism. These elements, which are not sufficiently addressed, combined with the use of ableist language, cannot be erased by any amount of romantic banter. Main characters are cued white; the supporting cast has some brown-skinned characters.
A lackluster and sometimes disturbing mishmash of overused tropes. (map) (Fantasy. 14-18)Pub Date: Nov. 7, 2023
ISBN: 9798987380406
Page Count: 538
Publisher: Simon & Schuster
Review Posted Online: Sept. 9, 2023
Kirkus Reviews Issue: Oct. 1, 2023
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