by Gabriela Ponce ; translated by Sarah Booker ‧ RELEASE DATE: Oct. 4, 2022
Dark, beautiful, and a little disturbing.
A woman adrift in her late 30s contends with a complex constellation of romantic relationships and their effects on her internal and bodily identity.
The unnamed narrator, a 38-year-old Ecuadorian woman, is at something of a crossroads: married to a man from whom she’s long been emotionally dissociated; technically childless (a qualifier that isn’t fully explained until later in the book); and stuck in a hazy reality divorced from meaning. For her, “anything that isn’t falling in love has never merited much attention,” and she spends her evenings in an adrenaline-fueled haze, drinking with friends at bars and warehouses. Soon, she meets an enigmatic filmmaker and enters into an all-consuming, meticulously described relationship. Though the contours of the man's psyche are never totally clear—he’s quiet, mysterious, and has a small daughter—the protagonist’s bond with him is profound, and for the duration of their relationship his house is a life-encapsulating cave, his bed “the bed of the world in its disorder and plenitude.” The relationship is simultaneously ecstatic and emotionally devastating, and when it falters, she has an emotional crisis, getting into accidents and meeting strange men while seemingly searching for a deeper source of meaning. As her sense of turmoil builds, she’s compelled to move to Spain to live with M, a poet with whom she’s carried on a lengthy correspondence. There, she must make a decision that encompasses the ownership of her body, her relationship to men, and her direction in life. In this English-language debut, as translated by Booker, Ponce’s prose is rich and atmospheric, and almost every scene operates on multiple emotional layers; this makes the narrator fully palpable despite the omission of certain biographical details. Ponce masterfully shows how despair and desire collide within one person, creating an entire universe of deeply felt emotional consequences. Though the plot is sometimes meandering—and a fair portion of the action is driven by the protagonist’s paramours, leading to an occasional sense of passivity—the novel’s searing exploration of unrequited love makes up for it.
Dark, beautiful, and a little disturbing.Pub Date: Oct. 4, 2022
ISBN: 978-1-63206-330-4
Page Count: 192
Publisher: Restless Books
Review Posted Online: July 7, 2022
Kirkus Reviews Issue: Aug. 1, 2022
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by Alison Espach ‧ RELEASE DATE: July 30, 2024
Uneven but fitfully amusing.
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New York Times Bestseller
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
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SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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by Paulo Coelho ; illustrated by Christoph Niemann ; translated by Margaret Jull Costa
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by Paulo Coelho ; translated by Zoë Perry
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