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BLOOD RED

Dark, beautiful, and a little disturbing.

A woman adrift in her late 30s contends with a complex constellation of romantic relationships and their effects on her internal and bodily identity.

The unnamed narrator, a 38-year-old Ecuadorian woman, is at something of a crossroads: married to a man from whom she’s long been emotionally dissociated; technically childless (a qualifier that isn’t fully explained until later in the book); and stuck in a hazy reality divorced from meaning. For her, “anything that isn’t falling in love has never merited much attention,” and she spends her evenings in an adrenaline-fueled haze, drinking with friends at bars and warehouses. Soon, she meets an enigmatic filmmaker and enters into an all-consuming, meticulously described relationship. Though the contours of the man's psyche are never totally clear—he’s quiet, mysterious, and has a small daughter—the protagonist’s bond with him is profound, and for the duration of their relationship his house is a life-encapsulating cave, his bed “the bed of the world in its disorder and plenitude.” The relationship is simultaneously ecstatic and emotionally devastating, and when it falters, she has an emotional crisis, getting into accidents and meeting strange men while seemingly searching for a deeper source of meaning. As her sense of turmoil builds, she’s compelled to move to Spain to live with M, a poet with whom she’s carried on a lengthy correspondence. There, she must make a decision that encompasses the ownership of her body, her relationship to men, and her direction in life. In this English-language debut, as translated by Booker, Ponce’s prose is rich and atmospheric, and almost every scene operates on multiple emotional layers; this makes the narrator fully palpable despite the omission of certain biographical details. Ponce masterfully shows how despair and desire collide within one person, creating an entire universe of deeply felt emotional consequences. Though the plot is sometimes meandering—and a fair portion of the action is driven by the protagonist’s paramours, leading to an occasional sense of passivity—the novel’s searing exploration of unrequited love makes up for it.

Dark, beautiful, and a little disturbing.

Pub Date: Oct. 4, 2022

ISBN: 978-1-63206-330-4

Page Count: 192

Publisher: Restless Books

Review Posted Online: July 7, 2022

Kirkus Reviews Issue: Aug. 1, 2022

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THE WOMEN

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

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A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.

When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.

A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.

Pub Date: Feb. 6, 2024

ISBN: 9781250178633

Page Count: 480

Publisher: St. Martin's

Review Posted Online: Nov. 4, 2023

Kirkus Reviews Issue: Dec. 1, 2023

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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