A celebration of family, food, and finding ways to heal.
An afternoon spent baking helps a child come to terms with loss.
The young narrator explains that “Mama left us when I was a sweet babe, a rock-me-in-her-arms-and-kiss-my-cheek babe.” But the child still happily picks peaches alongside Grandma every Sunday. As the family laughs and smiles while biting into juicy peaches that taste like summer and eating Grandma's peach cobbler, the child notices old photos of Mama and Daddy making cobbler together; the little one realizes that Daddy hasn’t been the same since they lost Mama. The child decides that learning to make the cobbler might help and turns to Grandma: "Teach me? Like you did Mama?" A series of vignettes shows them “tossing, stirring, mixing, kneading.” Next week, the protagonist decides to prepare the dish without Grandma’s help, as a surprise for Daddy. But things go awry, and the child is eventually overcome by tears. Savvy readers will recognize that the cobbler is more than just a sweet treat, and the image of the child mourning gives way to delight and hard-earned triumph as the narrator finishes baking the dessert, which the whole family then shares. Bright, realistic illustrations, made with digital acrylic and pencil, have an almost three-dimensional look in places, particularly the sumptuous peaches. Davis and Holt balance this loving Black family’s feelings of joy and sorrow. A recipe for peach cobbler concludes the work.
A celebration of family, food, and finding ways to heal. (Picture book. 4-8)Pub Date: May 7, 2024
ISBN: 9781419757372
Page Count: 40
Publisher: Abrams
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...
Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.
The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.
While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)Pub Date: June 21, 2016
ISBN: 978-0-06-234834-0
Page Count: 32
Publisher: Harper/HarperCollins
Review Posted Online: May 3, 2016
Kirkus Reviews Issue: June 1, 2016
BOOK REVIEW
BOOK REVIEW
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted...
Reinvention is the name of the game for two blobs of clay.
A blue-eyed gray blob and a brown-eyed brown blob sit side by side, unsure as to what’s going to happen next. The gray anticipates an adventure, while the brown appears apprehensive. A pair of hands descends, and soon, amid a flurry of squishing and prodding and poking and sculpting, a handsome gray wolf and a stately brown owl emerge. The hands disappear, leaving the friends to their own devices. The owl is pleased, but the wolf convinces it that the best is yet to come. An ear pulled here and an extra eye placed there, and before you can shake a carving stick, a spurt of frenetic self-exploration—expressed as a tangled black scribble—reveals a succession of smug hybrid beasts. After all, the opportunity to become a “pig-e-phant” doesn’t come around every day. But the sound of approaching footsteps panics the pair of Picassos. How are they going to “fix [them]selves” on time? Soon a hippopotamus and peacock are staring bug-eyed at a returning pair of astonished hands. The creative naiveté of the “clay mates” is perfectly captured by Petty’s feisty, spot-on dialogue: “This was your idea…and it was a BAD one.” Eldridge’s endearing sculpted images are photographed against the stark white background of an artist’s work table to great effect.
The dynamic interaction between the characters invites readers to take risks, push boundaries, and have a little unscripted fun of their own . (Picture book. 5-8)Pub Date: June 20, 2017
ISBN: 978-0-316-30311-8
Page Count: 40
Publisher: Little, Brown
Review Posted Online: March 28, 2017
Kirkus Reviews Issue: April 15, 2017
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