A celebration of family, food, and finding ways to heal.
An afternoon spent baking helps a child come to terms with loss.
The young narrator explains that “Mama left us when I was a sweet babe, a rock-me-in-her-arms-and-kiss-my-cheek babe.” But the child still happily picks peaches alongside Grandma every Sunday. As the family laughs and smiles while biting into juicy peaches that taste like summer and eating Grandma's peach cobbler, the child notices old photos of Mama and Daddy making cobbler together; the little one realizes that Daddy hasn’t been the same since they lost Mama. The child decides that learning to make the cobbler might help and turns to Grandma: "Teach me? Like you did Mama?" A series of vignettes shows them “tossing, stirring, mixing, kneading.” Next week, the protagonist decides to prepare the dish without Grandma’s help, as a surprise for Daddy. But things go awry, and the child is eventually overcome by tears. Savvy readers will recognize that the cobbler is more than just a sweet treat, and the image of the child mourning gives way to delight and hard-earned triumph as the narrator finishes baking the dessert, which the whole family then shares. Bright, realistic illustrations, made with digital acrylic and pencil, have an almost three-dimensional look in places, particularly the sumptuous peaches. Davis and Holt balance this loving Black family’s feelings of joy and sorrow. A recipe for peach cobbler concludes the work.
A celebration of family, food, and finding ways to heal. (Picture book. 4-8)Pub Date: May 7, 2024
ISBN: 9781419757372
Page Count: 40
Publisher: Abrams
Review Posted Online: March 9, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
A friendship tale with solid messaging and plenty of fun sounds to share.
In this latest in the series, Little Blue Truck, driven by pal Toad, is challenged to a countryside race by Racer Red, a sleek, low-slung vehicle.
Blue agrees, and the race is on. Although the two start off “hood to hood / and wheel to wheel,” they switch positions often as they speed their way over dusty country roads. Blue’s farm friends follow along to share in the excitement and shout out encouragement; adult readers will have fun voicing the various animal sounds. Short rhyming verses on each page and several strategic page turns add drama to the narrative, but soft, mottled effects in the otherwise colorful illustrations keep the competition from becoming too intense. Racer Red crosses the finish line first, but Blue is a gracious loser, happy to have worked hard. That’s a new concept for Racer Red, who’s laser-focused on victory but takes Blue’s words (“win or lose, it’s fun to try!”) to heart—a revelation that may lead to worthwhile storytime discussions. When Blue’s farm animal friends hop into the truck for the ride home, Racer Red tags along and learns a second lesson, one about speed. “Fast is fun, / and slow is too, / as long as you’re / with friends.”
A friendship tale with solid messaging and plenty of fun sounds to share. (Picture book. 4-7)Pub Date: March 25, 2025
ISBN: 9780063387843
Page Count: 32
Publisher: Clarion/HarperCollins
Review Posted Online: Jan. 18, 2025
Kirkus Reviews Issue: Feb. 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Menacing and most likely to appeal to established fans of its co-creators.
Existing artwork from an artistic giant inspires a fairy-tale reimagination by a master of the horror genre.
In King’s interpretation of a classic Brothers Grimm story, which accompanies set and costume designs that the late Sendak created for a 1997 production of Engelbert Humperdinck’s opera, siblings Hansel and Gretel survive abandonment in the woods and an evil witch’s plot to gobble them up before finding their “happily ever after” alongside their father. Prose with the reassuring cadence of an old-timey tale, paired with Sendak’s instantly recognizable artwork, will lull readers before capitalizing on these creators’ knack for injecting darkness into seemingly safe spaces. Gaping faces loom in crevices of rocks and trees, and a gloomy palette of muted greens and ocher amplify the story’s foreboding tone, while King never sugarcoats the peach-skinned children’s peril. Branches with “clutching fingers” hide “the awful enchanted house” of a “child-stealing witch,” all portrayed in an eclectic mix of spot and full-bleed images. Featuring insults that might strike some as harsh (“idiot,” “fool”), the lengthy, dense text may try young readers’ patience, and the often overwhelmingly ominous mood feels more pitched to adults—particularly those familiar with King and Sendak—but an introduction acknowledges grandparents as a likely audience, and nostalgia may prompt leniency over an occasional disconnect between words and art.
Menacing and most likely to appeal to established fans of its co-creators. (Picture book. 4-8)Pub Date: Sept. 2, 2025
ISBN: 9780062644695
Page Count: 48
Publisher: Harper/HarperCollins
Review Posted Online: Aug. 15, 2025
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