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PEACHES

A celebration of family, food, and finding ways to heal.

An afternoon spent baking helps a child come to terms with loss.

The young narrator explains that “Mama left us when I was a sweet babe, a rock-me-in-her-arms-and-kiss-my-cheek babe.” But the child still happily picks peaches alongside Grandma every Sunday. As the family laughs and smiles while biting into juicy peaches that taste like summer and eating Grandma's peach cobbler, the child notices old photos of Mama and Daddy making cobbler together; the little one realizes that Daddy hasn’t been the same since they lost Mama. The child decides that learning to make the cobbler might help and turns to Grandma: "Teach me? Like you did Mama?" A series of vignettes shows them “tossing, stirring, mixing, kneading.” Next week, the protagonist decides to prepare the dish without Grandma’s help, as a surprise for Daddy. But things go awry, and the child is eventually overcome by tears. Savvy readers will recognize that the cobbler is more than just a sweet treat, and the image of the child mourning gives way to delight and hard-earned triumph as the narrator finishes baking the dessert, which the whole family then shares. Bright, realistic illustrations, made with digital acrylic and pencil, have an almost three-dimensional look in places, particularly the sumptuous peaches. Davis and Holt balance this loving Black family’s feelings of joy and sorrow. A recipe for peach cobbler concludes the work.

A celebration of family, food, and finding ways to heal. (Picture book. 4-8)

Pub Date: May 7, 2024

ISBN: 9781419757372

Page Count: 40

Publisher: Abrams

Review Posted Online: March 9, 2024

Kirkus Reviews Issue: April 1, 2024

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ON THE FIRST DAY OF KINDERGARTEN

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of...

Rabe follows a young girl through her first 12 days of kindergarten in this book based on the familiar Christmas carol.

The typical firsts of school are here: riding the bus, making friends, sliding on the playground slide, counting, sorting shapes, laughing at lunch, painting, singing, reading, running, jumping rope, and going on a field trip. While the days are given ordinal numbers, the song skips the cardinal numbers in the verses, and the rhythm is sometimes off: “On the second day of kindergarten / I thought it was so cool / making lots of friends / and riding the bus to my school!” The narrator is a white brunette who wears either a tunic or a dress each day, making her pretty easy to differentiate from her classmates, a nice mix in terms of race; two students even sport glasses. The children in the ink, paint, and collage digital spreads show a variety of emotions, but most are happy to be at school, and the surroundings will be familiar to those who have made an orientation visit to their own schools.

While this is a fairly bland treatment compared to Deborah Lee Rose and Carey Armstrong-Ellis’ The Twelve Days of Kindergarten (2003), it basically gets the job done. (Picture book. 4-7)

Pub Date: June 21, 2016

ISBN: 978-0-06-234834-0

Page Count: 32

Publisher: Harper/HarperCollins

Review Posted Online: May 3, 2016

Kirkus Reviews Issue: June 1, 2016

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TINY T. REX AND THE IMPOSSIBLE HUG

Wins for compassion and for the refusal to let physical limitations hold one back.

With such short arms, how can Tiny T. Rex give a sad friend a hug?

Fleck goes for cute in the simple, minimally detailed illustrations, drawing the diminutive theropod with a chubby turquoise body and little nubs for limbs under a massive, squared-off head. Impelled by the sight of stegosaurian buddy Pointy looking glum, little Tiny sets out to attempt the seemingly impossible, a comforting hug. Having made the rounds seeking advice—the dino’s pea-green dad recommends math; purple, New Age aunt offers cucumber juice (“That is disgusting”); red mom tells him that it’s OK not to be able to hug (“You are tiny, but your heart is big!”), and blue and yellow older sibs suggest practice—Tiny takes up the last as the most immediately useful notion. Unfortunately, the “tree” the little reptile tries to hug turns out to be a pterodactyl’s leg. “Now I am falling,” Tiny notes in the consistently self-referential narrative. “I should not have let go.” Fortunately, Tiny lands on Pointy’s head, and the proclamation that though Rexes’ hugs may be tiny, “I will do my very best because you are my very best friend” proves just the mood-lightening ticket. “Thank you, Tiny. That was the biggest hug ever.” Young audiences always find the “clueless grown-ups” trope a knee-slapper, the overall tone never turns preachy, and Tiny’s instinctive kindness definitely puts him at (gentle) odds with the dinky dino star of Bob Shea’s Dinosaur Vs. series.

Wins for compassion and for the refusal to let physical limitations hold one back. (Picture book. 5-7)

Pub Date: March 5, 2019

ISBN: 978-1-4521-7033-6

Page Count: 48

Publisher: Chronicle Books

Review Posted Online: Nov. 11, 2018

Kirkus Reviews Issue: Dec. 1, 2018

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