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THE HOLE WE’RE IN

Zevin’s ambitious reach into the future may put off some readers, but others will warm to her clear-eyed compassion for...

Picture-perfect evangelical family spirals out of control.

Zeroing in on the high anxiety that credit-starved Americans feel in the current economic climate, Zevin (Memoirs of a Teenage Amnesiac, 2007, etc.) delivers a bitter yet believable portrait of the national dream gone terribly wrong. Broken into four sections that jump from 2000 to 2006 to 2012 to 2022, the novel chronicles the high times and bottom-hitting lows of a daydreaming dad and compulsive shopper mom who are trying to raise a family in the Seventh Day Adventist faith while keeping secrets that wreak havoc on their children. Roger Pomeroy is a 42-year-old former pastor who decides to go back to school and earn a doctorate, a decision that pushes his family to the brink of starvation while he carries on a sordid affair with his supervising professor. His wife Georgia, a data-entry clerk, is sucking the family credit cards dry to pay for the wedding of eldest daughter Helen. Despite their lies, Roger and Georgia are comforted by their faith. “The world tells you that all these secular debts matter, but my whole reason for being put here on this earth is to tell you that they do not. The only debts that matter are spiritual debts,” advises the preacher at their church. Georgia’s financial shenanigans, including the acquisition of credit cards in her children’s names, are hard on all the kids, but hardest on youngest daughter Patsy, who joins the Army in an attempt to earn enough money for college and is sent to Afghanistan.

Zevin’s ambitious reach into the future may put off some readers, but others will warm to her clear-eyed compassion for people doing the best they can and wreaking considerable damage along the way.

Pub Date: March 1, 2010

ISBN: 978-0-8021-1923-0

Page Count: 304

Publisher: Black Cat/Grove

Review Posted Online: Dec. 27, 2010

Kirkus Reviews Issue: Jan. 1, 2010

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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