While her special son-in-law undergoes brain surgery, a retired farmer and beekeeper recalls her life of hardship and denial in western Canada, with a few honeyed moments mixed in. A memorable follow-up to the equally atmospheric The Cure for Death by Lightning (1996). There isn’t much Augusta doesn’t know about bees—her mother was a beekeeper and she’s been one herself as well. But between those calming periods of hives and swarms, Augusta has had her fair share of ups and downs—which, during her beekeeping son-in-law Gabe’s seemingly endless operation, she has time to review. Teenage Augusta’s second sight had already shown her that her mother, Helen, would die in childbirth. After this, Augusta accepts the red-faced, awkward advances of an older neighbor, Karl, and moves as his bride to his father’s house and sheep farm. There she suffers her husband’s naãvetÇ and his father’s outright contempt until her headstrong nature rebels: Her first acts of defiance, weekly fly-fishing trips with her minister, give way to day jobs in the closest big town, then to a brazen, passionate affair with a big man she knows only as Joe. Gossip forces her to stop what she’d started, but Augusta’s return to the sheep farm is temporary. At her father’s death, which follows the birth of her daughter, Joy, she inherits the family place and settles there with Karl; long, hardscrabble years later, with Joy herself a headstrong teenager, Augusta again revolts and bolts, although this time returns home to discover solace, as her mother did, in the company of bees. With their help she finally finds a place in her wild heart for her dull yet adoring husband, and the renewed will to keep her precious secret. Too many time shifts between Augusta old and young, perhaps, but nonetheless there’s a wonderful vitality to her, and to the rich, buzzing lore she inherits and makes her own.
Pub Date: Jan. 12, 2000
ISBN: 0-609-60451-1
Page Count: 320
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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