While her special son-in-law undergoes brain surgery, a retired farmer and beekeeper recalls her life of hardship and denial in western Canada, with a few honeyed moments mixed in. A memorable follow-up to the equally atmospheric The Cure for Death by Lightning (1996). There isn’t much Augusta doesn’t know about bees—her mother was a beekeeper and she’s been one herself as well. But between those calming periods of hives and swarms, Augusta has had her fair share of ups and downs—which, during her beekeeping son-in-law Gabe’s seemingly endless operation, she has time to review. Teenage Augusta’s second sight had already shown her that her mother, Helen, would die in childbirth. After this, Augusta accepts the red-faced, awkward advances of an older neighbor, Karl, and moves as his bride to his father’s house and sheep farm. There she suffers her husband’s naãvetÇ and his father’s outright contempt until her headstrong nature rebels: Her first acts of defiance, weekly fly-fishing trips with her minister, give way to day jobs in the closest big town, then to a brazen, passionate affair with a big man she knows only as Joe. Gossip forces her to stop what she’d started, but Augusta’s return to the sheep farm is temporary. At her father’s death, which follows the birth of her daughter, Joy, she inherits the family place and settles there with Karl; long, hardscrabble years later, with Joy herself a headstrong teenager, Augusta again revolts and bolts, although this time returns home to discover solace, as her mother did, in the company of bees. With their help she finally finds a place in her wild heart for her dull yet adoring husband, and the renewed will to keep her precious secret. Too many time shifts between Augusta old and young, perhaps, but nonetheless there’s a wonderful vitality to her, and to the rich, buzzing lore she inherits and makes her own.
Pub Date: Jan. 12, 2000
ISBN: 0-609-60451-1
Page Count: 320
Publisher: Harmony
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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