Gibbons (The Honey Makers, 1997, etc.) employs her creative palette to shed both light and color on the tools and supplies of artists. Ranging from collage spreads of different kinds of paper to the variety of paints, brushes, and markers that an artist uses, the illustrations show the materials found in a typical art box, and how they’re employed. The brilliant colors of her drawings are carefully framed and matted on samples of handmade paper that add texture to the design. Combining a visual feast with simple explanations, Gibbons demonstrates again why her books are staples of any collection. (Picture book/nonfiction. 4-6)
Pub Date: Sept. 15, 1998
ISBN: 0-8234-1386-1
Page Count: 32
Publisher: Holiday House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 15, 1998
Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for...
Ten tales from the Old and New Testaments, with plot points and lessons hidden beneath large, shaped flaps.
Higgins depicts Jesus as a bit larger than those around him but otherwise draws him and the rest of the cast—including angels—with similar-looking round heads, wide-open eyes, slightly crooked beards (on the men), and dark brown or olive skin. Cycling arbitrarily among various tenses, the abbreviated, sanitized, and informally retold episodes begin in “a garden” with the tree, most of Adam and Eve, and the “tricky serpent” who “will trick them” initially hidden beneath die-cut flaps. Lifting the largest reveals the disobedient first couple sporting flashy animal-skin togs and text that promises that “God had a plan to save people from sin.” After Noah boards the “crowded, noisy, and stinky” ark, Moses leads the escape from plague-ridden Egypt (“Frogs and locusts! Yucky sores and flies!”), and “David bonks Goliath.” God’s promise eventually bears fruit with the birth and select miracles of Jesus. In the climactic scene, three distant crosses hide beneath a flap that depicts Jerusalem, while behind a tomb in the foreground an angel literally fizzes with fireworks. Beneath a bush readers see Mary (Magdalen) weeping until the risen Jesus (beneath another bush) gives her a hug: “Go tell the disciples that I am alive!”
Younger audiences may be mostly interested in the bonking and stinky parts, but the rudiments are at least in place for homiletic discussion. (Novelty/religion. 4-6)Pub Date: Sept. 4, 2018
ISBN: 978-1-5064-4684-4
Page Count: 16
Publisher: Beaming Books
Review Posted Online: July 29, 2018
Kirkus Reviews Issue: Dec. 1, 2018
BOOK REVIEW
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in.
Rhyming text and colorful multicultural illustrations reassure young readers of God’s omnipresence and still small voice.
“Where in the world is God’s voice found?” Perhaps in ocean waves, bird song, or mountain vistas, suggest the couplet rhymes. Even when readers might be faced with difficult emotions and distractions of all kinds, the text reassures them that God is still there and still speaking, if only one pauses to listen. His voice can be found in nature, in starlight, in the love of family and friends, in dreams, and “through His Word.” Admirably, the bright illustrations, reminiscent of mid-20th-century Disney artist Mary Blair’s stylings, depict children and families with a diverse array of skin tones and ages. There is also a refreshing mix of urban, suburban, and rural settings. Yet, despite the appealing illustrations, the rhymes and scansion are often forced (“your feelings, they matter, / even if they’re all mixed up like / pancake batter”), which detracts from the overall message. Contrived couplets notwithstanding, this title will likely find an audience among Christian households seeking reassuring bedtime reads.
Though the rhyme tumbles and at times bumbles, enticing imagery will lure readers in. (Picture book. 4-6)Pub Date: Sept. 8, 2020
ISBN: 978-0-525-65385-1
Page Count: 40
Publisher: WaterBrook
Review Posted Online: June 29, 2020
Kirkus Reviews Issue: July 15, 2020
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