Though not really much more than a commonplace book of the author’s personal fascinations, many readers will dip into this...
Bestselling novelist Godwin (Evensong, 1999, etc.) stitches an intimate sampler of the ways we humans have imagined acts of the heart through time and across cultures.
The heart works in strange and curious ways—“heart acts are often improvisational detours from point-to-point plans”—Godwin observes, but she is most interested in a kind of heart-knowledge “based on feeling values, relationship, personal courage, intimations of the ineffable, a passion for transcendence.” The author focuses here on a selection of cultural heart acts that have moved her and made her more alive, more worthy, from the prehistoric cave painter who gave life to a wooly mammoth by adding a heart to the epic of Gilgamesh, “the story of one human heart living fully in its time, finally conceding its human limits.” She examines the Hebrew heart that feels shame when it deviates from walking with God and St. Augustine’s Confessions, in which “the heart is pure protean marvel.” She deplores the horrible theft of the heart’s poetic associations by the Industrial Revolution and the rise of empiricism, which see the individual human as “a cog in the almighty economic machine.” Godwin takes light-footed tours through such literary themes as heartbreak, heartlessness, change of heart, and the heart of darkness: the “journey into a darkness that might poison or dry up this precious wellspring—or deepen and enlarge it if you come through.” She lauds the hospitality of the heart, “a special kind of imagination that concentrates on how another creature might be feeling,” one of those essential rhythms to which the caring heart is tuned. She also provides numerous personal stories to give her survey an anecdotal warmth and clarity.
Though not really much more than a commonplace book of the author’s personal fascinations, many readers will dip into this appealing grab-bag with pleasure and sometimes surprise.Pub Date: Feb. 1, 2001
ISBN: 0-380-97795-8
Page Count: 336
Publisher: Morrow/HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Dec. 15, 2000
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
