by Gail Godwin ‧ RELEASE DATE: Sept. 1, 1994
A dying academic, an oblivious house husband, a self-centered Southern writer, and a grieving ex-editor suffer much angst in Godwin's (Father Melancholy's Daughter, 1991, etc.) latest domestic drama — a meditation on marriage in which the prose is always supple but also more than a little dull. Haughty 58-year-old Magda Danvers, an English professor who's still resting on the laurels of the one book she published decades earlier, is holding court from her deathbed, and a gaggle of academics — suck-ups, gossips, parodies all — pay their respects. Magda calls her ovarian cancer her "Gargoyle" and the last months of her life her "Final Examination." As she decays, she is waited upon by her husband, Francis Lake, who is 12 years her junior and gave up the priesthood for her. For 25 years Magda has earned the money while unambitious, nonintrospective Francis has kept house and contented himself with basking in her limelight. Alice Henry, whose baby has just choked on his umbilical cord, finds a peculiar solace in Magda's sickroom. Passive-aggressive Alice can't stomach her novelist husband, Hugo, who's 16 years her senior, and wonders if perhaps she married him because she was in love with his writing — after all, she was his editor. As she becomes closer to Magda and Francis and ponders their unlikely union, she falls in love with Francis, who seems totally unaware of her intentions. Hugo, meanwhile, baffled by Alice's hatred, is fighting off writers' block and learns, to his dismay, that his son from a previous marriage is gay. As each undergoes a self-reckoning, Hugo compares the stages of writing a novel with the stages of a marriage, and Magda, referring to a poem by Donne, welcomes death as her "good husband." Godwin is more enamored, and convinced, of Magda's and Hugo's brilliance than her readers will be. Polished, often incisive, but pompous and obvious as well; with none of the bracing acuity of Sue Miller's For Love, which also put relations between the sexes under a microscope. Particularly disappointing for a novelist of Godwin's stature.
Pub Date: Sept. 1, 1994
ISBN: 0-345-37243-3
Page Count: 480
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 1994
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by Hanya Yanagihara ‧ RELEASE DATE: March 10, 2015
The phrase “tour de force” could have been invented for this audacious novel.
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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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by Kristin Hannah ‧ RELEASE DATE: March 1, 2001
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...
Talk-show queen takes tumble as millions jeer.
Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.
The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.Pub Date: March 1, 2001
ISBN: 0-609-60737-5
Page Count: 336
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 2001
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