Next book

UNFINISHED DESIRES

A strong story populated by a host of memorable characters—smart, satisfying fiction, one of the author’s best in years.

After a couple of subpar efforts, Godwin (Queen of the Underworld, 2006, etc.) is back in top form with a gripping tale of jealousies and power struggles at a Catholic girls’ school.

In the year 2001, elderly Mother Suzanne Ravenel tape-records her memories of her 50 years at Mount Saint Gabriel’s in the Appalachian mountains of North Carolina. Her worst memories are of the dreadful school year 1951-52, when a turbulent ninth grader provoked an outburst that resulted in the headmistress being sent on a leave of absence. Mother Ravenel’s own student years at Mount Saint Gabriel’s in the 1930s also figure in the story, as does her fraught friendship with Antonia Tilden. This being the South, the separate generations are connected by blood and grievances. Antonia’s orphaned niece Chloe is in that 1951-52 ninth-grade class, and she becomes best friends with manipulative, needy Tildy Stratton, daughter of Antonia’s embittered twin Cordelia, who’s convinced that Suzanne Ravenel’s pushiness led to Antonia abandoning her true vocation as a nun. Cordelia’s animosity and malice drive the plot, as Tildy takes up her mother’s vendetta against the admittedly bossy, self-righteous Mother Ravenel. Chloe’s kind Uncle Henry is the only male character of any significance; the emphasis is on female friendships, especially the adolescent variety, with its gusts of hormonal emotions and intricate maneuvers for position. Bad mothers get a good deal of attention as well (there are quite a few of them), and Godwin elicits our understanding for all her characters without letting them off the hook for bad behavior. She skillfully unfolds fascinatingly tangled motives as she keeps the action bustling along. Moving final scenes show an old nun realizing that mixed motives matter less than a lifetime of service, and two old friends reconnecting after 55 years, matured and seasoned by what they’ve endured, but not so very different from what they were at 14.

A strong story populated by a host of memorable characters—smart, satisfying fiction, one of the author’s best in years.

Pub Date: Dec. 29, 2009

ISBN: 978-0-345-48320-1

Page Count: 416

Publisher: Random House

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 2009

Categories:
Next book

TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 50


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Close Quickview