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LIES, FIRST PERSON

A rich and harrowing novel with plenty to say about religion and authorship.

An Israeli woman plots revenge against the relative who raped her sister—and wrote an imagined autobiography of Adolf Hitler besides—in a coruscating novel about faith and family.

Elinor, the middle-aged narrator of the second novel by Hareven to be translated into English (The Confessions of Noa Weber, 2009), lives a comfortable life in Jerusalem with her husband, Oded, and writes a newspaper column about the quirky adventures of an imagined immigrant to the city. Her just-so existence is undone, though, when she learns that her uncle, Aaron, is visiting Israel from the United States. Aaron is making an apology tour for a novel he wrote decades before, Hitler, First Person, and his re-emergence stokes Elinor’s memories of how he repeatedly sexually assaulted her sister, Elisheva, when he was writing the novel in the family home. In the months before Aaron’s arrival, Elinor and Oded head to the U.S. to visit their sons but also take a detour to central Illinois, where Elisheva has started a family, converted to Christianity and—to Elinor’s disgust—not only corresponded with Aaron, but forgiven him. (“She doesn’t want a trial,” Elinor moans to Oded. “She wants him to ascend to heaven with her.”) How much does Elinor owe her sister if she’s moved on? How much did Aaron’s imagination of Hitler’s evil spill over into his own monstrousness? And how much does Elinor’s urge “to see Aaron burn” only perpetuate the problem? Hareven’s novel is a brilliant and careful study of those questions, capturing Elinor’s ever accelerating rage while maintaining a prose style that’s poised and philosophical. The Garden of Eden is a persistent trope in the novel, as Elinor keeps imagining her home as a refuge; but when Oded becomes conscripted into her obsession, it’s clear we remain in a stubbornly post-lapsarian world.

A rich and harrowing novel with plenty to say about religion and authorship.

Pub Date: Feb. 10, 2015

ISBN: 978-1-940953-03-8

Page Count: 375

Publisher: Open Letter

Review Posted Online: Nov. 15, 2014

Kirkus Reviews Issue: Dec. 1, 2014

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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TELL ME LIES

There are unforgettable beauties in this very sexy story.

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 19, 2018

Kirkus Reviews Issue: April 1, 2018

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