edited by Gardner Dozois ‧ RELEASE DATE: July 16, 2003
For all libraries, absolutely.
Without question, the Dozois SF annuals deserve rosettes.
Editor Dozois’s usual exhaustive retrospection on the year’s events in SF was missing from our galley, but as in last year’s thought-provoking, at times lighthearted collection, Dozois kicks off here with a long story by Ian R. MacLeod (The Great Wheel, 1997), among the most literary of SF stylists. The present tale, “Breathmoss,” is an elegant masterpiece of moist landscape and world-building that turns on the coming-of-age of Jalila on Habara in the Season of Soft Rains. Jalila must now leave her dreamtent on the high plains of Tabuthal, where the breathmoss first grew in her lungs and allowed her to breathe, and, with her three mothers, enter Habara’s busy coastal city to prepare for her part in populating the Ten Thousand and One worlds beyond the Gateway, entering the Pain of Distance as she crawls “across this particular page of her universe.” Appearing again also is Hugo and Nebula winner Nancy Kress, this time with the moving “The Most Famous Little Girl in All the World,” which tells of Kyra, who at ten walked up into a spaceship that landed in the pasture and after an hour came out again. Then the spaceship left. Throughout Kyra’s long and varied life, her cousin Amy and the rest of the world want to know what the aliens looked like and what they told her or did to her. Although she doesn’t remember too clearly, the reader comes to wonder whether it might not be that she was engineered to have no fear of aliens. Not to be missed: Alastair Reynolds’s “Turquoise Days” and what lies beneath the utter serenity of a quiet, peaceful little planet. Other outstanding contributions come from Gregory Benford, Charles Stross, Paul McAuley, and Robert Reed.
For all libraries, absolutely.Pub Date: July 16, 2003
ISBN: 0-312-30859-0
Page Count: 688
Publisher: St. Martin's Griffin
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 2003
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by Max Brooks ‧ RELEASE DATE: June 16, 2020
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
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New York Times Bestseller
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
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by TJ Klune ‧ RELEASE DATE: March 17, 2020
A breezy and fun contemporary fantasy.
A tightly wound caseworker is pushed out of his comfort zone when he’s sent to observe a remote orphanage for magical children.
Linus Baker loves rules, which makes him perfectly suited for his job as a midlevel bureaucrat working for the Department in Charge of Magical Youth, where he investigates orphanages for children who can do things like make objects float, who have tails or feathers, and even those who are young witches. Linus clings to the notion that his job is about saving children from cruel or dangerous homes, but really he’s a cog in a government machine that treats magical children as second-class citizens. When Extremely Upper Management sends for Linus, he learns that his next assignment is a mission to an island orphanage for especially dangerous kids. He is to stay on the island for a month and write reports for Extremely Upper Management, which warns him to be especially meticulous in his observations. When he reaches the island, he meets extraordinary kids like Talia the gnome, Theodore the wyvern, and Chauncey, an amorphous blob whose parentage is unknown. The proprietor of the orphanage is a strange but charming man named Arthur, who makes it clear to Linus that he will do anything in his power to give his charges a loving home on the island. As Linus spends more time with Arthur and the kids, he starts to question a world that would shun them for being different, and he even develops romantic feelings for Arthur. Lambda Literary Award–winning author Klune (The Art of Breathing, 2019, etc.) has a knack for creating endearing characters, and readers will grow to love Arthur and the orphans alongside Linus. Linus himself is a lovable protagonist despite his prickliness, and Klune aptly handles his evolving feelings and morals. The prose is a touch wooden in places, but fans of quirky fantasy will eat it up.
A breezy and fun contemporary fantasy.Pub Date: March 17, 2020
ISBN: 978-1-250-21728-8
Page Count: 352
Publisher: Tor
Review Posted Online: Nov. 10, 2019
Kirkus Reviews Issue: Dec. 1, 2019
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