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THE YEAR’S BEST SCIENCE FICTION

TWENTIETH ANNUAL COLLECTION

For all libraries, absolutely.

Without question, the Dozois SF annuals deserve rosettes.

Editor Dozois’s usual exhaustive retrospection on the year’s events in SF was missing from our galley, but as in last year’s thought-provoking, at times lighthearted collection, Dozois kicks off here with a long story by Ian R. MacLeod (The Great Wheel, 1997), among the most literary of SF stylists. The present tale, “Breathmoss,” is an elegant masterpiece of moist landscape and world-building that turns on the coming-of-age of Jalila on Habara in the Season of Soft Rains. Jalila must now leave her dreamtent on the high plains of Tabuthal, where the breathmoss first grew in her lungs and allowed her to breathe, and, with her three mothers, enter Habara’s busy coastal city to prepare for her part in populating the Ten Thousand and One worlds beyond the Gateway, entering the Pain of Distance as she crawls “across this particular page of her universe.” Appearing again also is Hugo and Nebula winner Nancy Kress, this time with the moving “The Most Famous Little Girl in All the World,” which tells of Kyra, who at ten walked up into a spaceship that landed in the pasture and after an hour came out again. Then the spaceship left. Throughout Kyra’s long and varied life, her cousin Amy and the rest of the world want to know what the aliens looked like and what they told her or did to her. Although she doesn’t remember too clearly, the reader comes to wonder whether it might not be that she was engineered to have no fear of aliens. Not to be missed: Alastair Reynolds’s “Turquoise Days” and what lies beneath the utter serenity of a quiet, peaceful little planet. Other outstanding contributions come from Gregory Benford, Charles Stross, Paul McAuley, and Robert Reed.

For all libraries, absolutely.

Pub Date: July 16, 2003

ISBN: 0-312-30859-0

Page Count: 688

Publisher: St. Martin's Griffin

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: June 15, 2003

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DEVOLUTION

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

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Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).

A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.

A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.

Pub Date: June 16, 2020

ISBN: 978-1-9848-2678-7

Page Count: 304

Publisher: Del Rey/Ballantine

Review Posted Online: Feb. 9, 2020

Kirkus Reviews Issue: March 1, 2020

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MORNING STAR

From the Red Rising Trilogy series , Vol. 3

An ambitious and satisfying conclusion to a monumental saga.

Brown completes his science-fiction trilogy with another intricately plotted and densely populated tome, this one continuing the focus on a rebellion against the imperious Golds.

This last volume is incomprehensible without reference to the first two. Briefly, Darrow of Lykos, aka Reaper, has been “carved” from his status as a Red (the lowest class) into a Gold. This allows him to infiltrate the Gold political infrastructure…but a game’s afoot, and at the beginning of the third volume, Darrow finds himself isolated and imprisoned for his insurgent activities. He longs both for rescue and for revenge, and eventually he gets both. Brown is an expert at creating violent set pieces whose cartoonish aspects (“ ‘Waste ’em,’ Sevro says with a sneer” ) are undermined by the graphic intensity of the savagery, with razors being a favored instrument of combat. Brown creates an alternative universe that is multilayered and seething with characters who exist in a shadow world between history and myth, much as in Frank Herbert’s Dune. This world is vaguely Teutonic/Scandinavian (with characters such as Magnus, Ragnar, and the Valkyrie) and vaguely Roman (Octavia, Romulus, Cassius) but ultimately wholly eclectic. At the center are Darrow, his lover, Mustang, and the political and military action of the Uprising. Loyalties are conflicted, confusing, and malleable. Along the way we see Darrow become more heroic and daring and Mustang, more charismatic and unswerving, both agents of good in a battle against forces of corruption and domination. Among Darrow’s insights as he works his way to a position of ascendancy is that “as we pretend to be brave, we become so.”

An ambitious and satisfying conclusion to a monumental saga.

Pub Date: Feb. 9, 2016

ISBN: 978-0-345-53984-7

Page Count: 400

Publisher: Del Rey/Ballantine

Review Posted Online: Dec. 8, 2015

Kirkus Reviews Issue: Dec. 15, 2015

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